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8 contributions to Art Style Skool
Recent celebrations!
I would love to hear your recent celebrations Whether it’s art related or not. Lets keep the support for one another going! I’ll go first. In June I was selected for a public art grant. After two months of waiting for the legal documents to get filed and insurance paperwork to get finalized. The city is finally cutting the check so I can get started. If you are in the Castle Rock area, soon there will be a new piece installed in downtown. I’ll keep you posted if you would like to come hang out or stop by as I will be working on it over the next month
Recent celebrations!
3 likes • Aug 28
I just got a house!!! 🏠 After living in a camper for 3 years, my boyfriend and I finally got a house! So, all art has kinda been put on hold while I try to get it cleaned up and move our stuff in. It’s gonna need a lot of work, but, hey, it’ll be our home😊. My two favorite parts of the house: the screened in porch and a stove from the 1960s that still works!!
Trust the Process
Something I tend to struggle with a lot is second guessing myself, especially when it comes to commission works. When I make things for myself, I tend to have more of a “eh, let’s see what happens” attitude and go from there, but with commission works or even something small for family and friends, I really start to question everything I do and doubt the process. For example, this pet portrait I am doing for a commission I started doubting right as soon as I started working on the purple and yellow splashes. I started freaking out thinking that I used the wrong combo of yellow and purple and too much of it…. However, I told myself to keep going and at least finish one of the dogs. Needless to say, I am happy with how it looks for far! Trusting the process can really be hard sometimes, even with watercolor. That ugly phase of painting really be testing me sometimes😅 What’s something y’all really struggle to overcome?
Trust the Process
0 likes • Aug 1
@Ben Henry I struggle with that too. Well, it’s more of sizing the whole piece on the paper issue. I want to leave more white space so the art can “breathe” but I keep unintentionally filling up the whole paper. I guess there is nothing wrong with that but I want to try leaving more white space, thus learning how to make the overall piece smaller.
Instincts + Influence
Drop one artist that has influenced you, and write one art instinct that you know you have. What we do instinctively and what we are influenced by can often intersect, and this is a good place to start building your artist voice. Being inspired by another artist doesn’t mean that you copy them, it could be the way they handle texture, color, materials, light, or subject. I’ll go first this is a plein air painter Rob Pointon, I like the way he distorts perspective and maintains proportions simultaneously. What instinct I have naturally is being able to work with paint. Wether it’s realistic or impressionistic I can work the paint to now I want it to be
Instincts + Influence
2 likes • Jul 28
This is sort of challenging because I feel like most of the artists I love are not ones I really show in my art. After looking closely at my top 3 favorite, I would have to say Virgil Finlay is my top. I am always attracted to his use of line work techniques but most importantly his ability to use design elements like circles, bubbles, speckles, starbursts, you name it! To create a sense of mysticism, wonder, and movement. In his day, he was an artist for many of the old pulp and science fiction magazines much like Frank Frazetta (another fav of mine). Science fiction and horror were Finlay’s main. What instinct I feel I have naturally is being able to capture textures. Whether it is using scratchboard or watercolor, I seem to always have a knack for capturing different textures, mainly organic ones in nature like animals and plants. I think that is partially why I always find myself going back to painting and drawing birds, animals, and flowers more than people or pure landscapes.
Experimenting With Mini Comics
While I’m hard at work on my next full-size comic, I’ve also been tackling something completely different—a mini comic. Working at such a small size comes with its own set of challenges. I’ve done trading card-sized artwork before, but fitting a full story into these tiny panels is a whole new experience. Every inch counts, and it really makes you think differently about panel layouts, storytelling, and composition. It’s definitely pushing me outside my comfort zone, but that’s part of the fun. Experimenting with new formats is helping me grow as an artist, and I’m excited to see how these lessons carry over into my larger comic projects.
    Experimenting With Mini Comics
1 like • Jul 15
Experimenting and going out of your comfort zone is definitely a challenge in itself! I struggled with it in high school to go outside of just drawing/painting really realistic animals and I still struggle with that today. I’m trying to push to be a little more loose and fun and not stress about painting every hair as well as push color a little bit. Try different color schemes and layering to see how they play with each other. It’s a challenge because you always have a sense of sneaking back into your old “habits”. What else adds to the challenge of trying something new is being over critical. For me, I feel I become extra critical and really judgy when I do something differently, as if I am constantly comparing it to my “normal” art. Do you have any experience with that at all? If so what are some things you do to overcome that?
Every Piece is a Learning Experience
I have learned when trying to find style, a lot of things don’t work out or they don’t work as you had originally planned. However, that doesn’t mean it was a waste of time. It just means you’ve learned something you don’t want to incorporate or it still needs more adjustment. In other words, every piece is a learning experience! In my recent art, I’ve enjoyed adding black and white line work to my watercolor flowers, birds, landscapes, etc. I think it often gives a lot of magic, energy, and movement, like you are right there in the flower. So, I thought I would try and push the line work and utilize it more in areas of higher shadows. The first two paintings below are the result of pushing those lines. Overall, I think it’s a neat look and attempt at something new but I feel that I lost all the energy and magic from my previous art. These two feel stiff and almost like a “study” instead of a free flowing, energetic subject. Plus, I feel I overdid the line work on the yellow warbler bird more than anything else. Maybe there is still room to play with this more? I’m not sure, but what I do know is that I love what I have going on in my other pieces, which I have attached for y’all to compare and look at. Those are from my nature journal (please ignore spelling errors if you intend on reading it haha😅).
Every Piece is a Learning Experience
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Haley Skinner
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@haley-skinner-8359
Arkansas artist and nature lover who works at an historic state park and teaches weaving. Mainly loves to draw birds and flowers

Active 14d ago
Joined Jul 8, 2026