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Unpublishable

24 members • Free

6 contributions to Unpublishable
Jun 15 • 
Snippets
Tracy firms up her identity.
From "The Butterfly Defect" a novel currently at 150,000 words that will never see the light of day. In this scene, Tracy, having already been led to the dark side by Simon before he died, finds out what he left her in his will. And when she wonders what to do about it, she finds out even more about herself. -------- The contents of the box revealed themselves to be eighty thousand pounds in cash, which Tracy asked Adam to bank for her, a tangled bunch of war medals, pouches of rare coins and a rust stained dagger with a swastika and "SS" engraved in the hilt. She recoiled at the last item. "Is that what I think it is?" "It is. And it's illegal in the UK and most of Europe, being genuine Nazi memorabilia." When he saw Tracy frown, he added. "Oh, don't worry, it wasn't Simon's originally. He liberated it from East Berlin after the war. Nevertheless, you can't put it on the open market without risking a stiff penalty. But we have contacts if you'd like us to sell it for you?" Tracy thought for a while. Her first instinct was to have it destroyed, but her inner, darker voice spoke up. To do so would be to invalidate whatever Simon had endured to acquire it. Maybe even death-defying efforts, for all she knew. And who was she to just write that off? If he'd wanted it destroyed, it wouldn't be here. But still… "What would you think of me if I tried to make money from that?" she asked. Adam took a large swig of whisky. "It's irrelevant what I'd think of you," he said, turning the dagger so it caught the light. "I suspect you know that. But you also might like to know that I wouldn't care in the least. See, this firm has quite a niche clientele, with Simon, and now yourself being prime examples. It's okay, don't be shy about it." He placed the dagger back on the table and flicked it into a slow spin with a pudgy finger. When the spin slowed, then stopped, it was pointing right at her. "You're special, Tracy. It's no surprise you and Simon found each other. We're a little special here, too. People have their own interpretations of morality. You, Simon, me and the other members of this firm share an interpretation that's somewhat distant from the middle of the bell curve, shall we say?" He looked up from the dagger and right into her eyes. "You've not only entertained Simon's butterfly collecting, as he called it, but you've enjoyed it too, yes?"
1 like • Jun 17
Everyone found themselves in this passage. Tracey just did it without flinching. That's the difference between a character and a person. Davi wrote a person. 🦠
Nobody's Princess (unfinished novella)
You're welcome to read this, but it was really just to test the length limit of posts. it appears to be at least 11,000 words lol. Chapter One: If the Dress Fits Frey marveled at her surroundings as she was escorted to the royal table. Opulence oozed from every corner of the banquet hall. Grandiose chandeliers, burning hundreds of candles, hung from the vaulted ceiling. They cast a flickering golden hue over the rich tableau below. “How did they light those candles all the way up there?” She mumbled to herself as a servant pulled her chair out. She stepped towards the table and waited for the chair to be slid under her before lowering her bottom as delicately as possible. “They winch them down, light them, and winch them back up,” the servant replied in a low whisper as he leaned over and spread a napkin across her lap. “You might see the pulleys attached to the cross beams if you look hard enough.” Frey blushed and chastised herself. She should be more careful. A proper princess would, of course, know how they lit the candles. Or, more likely, wouldn’t care. Keep your mouth shut, silly girl! Beneath the chandeliers, white linen dressed a dozen long feasting tables. Their silver and crystal place settings reflected distorted images of the diners taking their seats. Bedecked in exquisite fineries, the kingdom’s richest and most influential characters were earnestly engaged in high society chatter and gossip. They canoodled and cackled while waving their goblets at scurrying waiters. She admired the gowns worn by the ladies. She knew from her mother that fabric of any blue shade came at great expense, being the most difficult dye to procure from nature. Here there was a predominance of blue and indigo, violet and mauve on display. Clearly, these people enjoyed exhibiting their wealth. Almost as much as they enjoyed the King’s wine. But the garments were nothing compared to her own dress. An azure cloud of mulberry silk floated around her. Without breasts large enough to hold the strapless garment aloft, handmaidens had used hidden tape, stuck directly to her skin. Frey fought the urge to scratch her itching chest.
2 likes • Jun 17
Frey survived a bomb, a kidnapping, and a naked bomb maker. And she's still the most dangerous person in this story. She just doesn't know it yet. Davi, finish the book. 🖤
Jun 16 • 
Snippets
Share your snippets
A paragraph, an opening line, a scene that's been sitting in your drafts, or something you finished last night at 2am and can't stop thinking about. No polishing required. No apologies needed. Let's see what you've got!
2 likes • Jun 17
The grief counsellor said it was normal to feel my dead husband's presence in the house. She said grief does strange things to the mind. She said the sounds at night were just the house settling. She said the hand prints on the bathroom mirror were probably mine. She said the cold spot at the foot of my bed was a draught. She said all of this very calmly. Very professionally. Right up until I showed her the footage from the baby monitor in the empty nursery. The nursery we painted yellow for the baby we lost. The nursery nobody had entered in fourteen months. She watched the footage for eleven seconds. Then she stood up without a word, picked up her bag, and walked out of my house so fast she left her car keys on the table. She never came back. She never returned my calls. Six weeks later I drove past her house. There was a FOR SALE sign in the garden. And every single window had been covered from the inside. I still don't know what she saw on that footage. Because I've never been able to make myself watch it again.
2 likes • Jun 17
This has been in my draft for a while now. They buried my father on a Thursday. On Friday his grave was empty. The coffin was still there. Still sealed. Still locked from the outside exactly as the funeral home had left it. But inside, where my father should have been, there was nothing but the silk lining. And a single set of footprints pressed into the satin. Facing upward. Like something had been lying there. Waiting. Learning the shape of him. Before it stood up wearing it. I know this because three days later my father knocked on my front door. And I almost let him in. I almost let him in. Because it had his face and his hands and his smell and the exact way he knocked, three times, then once, then twice, the pattern we'd used since I was a child. But when I looked through the peephole something was wrong with his shadow. It wasn't moving with him. It was moving toward me.
First line challenge — hit us with your darkest opening line.
They say the first line of a story is either a door or a wall. We want doors. Dark ones. Share the opening line of something you're working on, or one you've always wanted to write but haven't yet. It can be one sentence. It can be two. Just make it the kind of line that makes someone need to know what comes next. Drop it in the comments 👇
1 like • Jun 17
The doctors said the baby was stillborn. So why, every night for six years, do I hear something small and wet crawling up the stairs toward my bedroom door. Learning the handle. Getting closer.
What's the darkest book you've ever read — and did it change you?
Transgressive fiction has a way of getting under your skin and staying there. Bret Easton Ellis, Cormac McCarthy, Chuck Palahniuk, Flannery O'Connor — these writers didn't ask for permission to go dark. They just went. So we want to know: What's the one book that made you feel genuinely uncomfortable — and you loved it for that? Did it influence your own writing? Would you recommend it here, or is it too much even for this crowd? Drop it in the comments. No judgement. This is exactly the place for it.
0 likes • Jun 17
The book that genuinely broke something in me was Jack Ketchum's The Girl Next Door. I almost didn't finish it. Not because the writing was bad. Because it was too good. Ketchum writes with such quiet, unflinching precision that there's nowhere to hide. No dramatic music. No narrative distance. No reminder that this is fiction. Just the slow, suffocating weight of ordinary people doing unthinkable things. What destroyed me wasn't the violence. It was the neighbours who heard. And did nothing. It was the children who watched. And kept watching. It was the narrator who knew. And stayed silent just long enough to become complicit. Ketchum based it loosely on a real case. And once you know that, the book never fully leaves you. It stops being a story and becomes a question you can't stop asking yourself. Would I have done something? Real darkness doesn't need fangs or shadows. It just needs a neighbourhood. A basement. And enough ordinary people willing to look the other way. Would I recommend it here? Yes. But only to those who understand that some books aren't meant to entertain you. Some books are meant to indict you. 🖤
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Gerlinde Slegrist
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@gerlinde-slegrist-9027
Love riding, Listening to music and Reading Romance novels

Active 48d ago
Joined Jun 17, 2026