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The Board Room

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Oleg's AI Lab

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7 contributions to The Board Room
We are in the End Game now.
This is where we are right now. The end for testing individually is coming to an end very rapidly. Up next, I think you all know.
We are in the End Game now.
2 likes • 4d
its levels to this 👏
It's almost time. And no, not everybody's getting it.
For months you've watched me build MIXSTEIN in front of you — an AI that doesn't just talk about your mix, it opens Ableton and makes the moves. Real devices. Real settings. On your session, not in some cloud demo. Last week I watched it read a record against a J Dilla instrumental, tell me exactly where the mids were lying, and prescribe the moves — and when it had nothing worth fixing, it said nothing. That's the part that took the longest to build: a tool with restraint. Tools that make moves are everywhere. Tools that know when NOT to are not. Here's where it stands: MIXSTEIN is going out very, very soon — but not wide. First it goes into the hands of a small group of creators while I'm personally on the line with each of them. They stress it, break it, shape it. Then it expands from there. Then the real thing arrives for everybody else — and by then it'll have been battle-tested by people who actually mix. If you've been waiting for the moment to pay attention, this is it. Question for the room: if MIXSTEIN could take ONE thing off your plate the first time you open it — what would you pick? Answers here genuinely shape what the first group gets.
2 likes • 4d
Honestly, I think what I’d want MIXSTEIN to take off my plate is the translation between what I hear in my head and the actual mixing decisions needed to get there. I want to make my beat and keep all the character and choices that make it mine, then give MIXSTEIN a reference and explain the best way I can what I’m hearing. Not just “make this louder” or “fix the mids,” but more like, I want the low end to have this kind of weight and character, the highs to have this kind of haze or air, and the mids to feel warm, gritty, wide, whatever the record is calling for. Basically, I want MIXSTEIN to understand the color and flavor I’m chasing and then figure out the actual mixing techniques and moves to get me there, without stripping the personality out of my beat. If it can do that, I can stay in creative mode and stop getting pulled out of the music every five minutes to play engineer. That’s really the AI mixing engineer I’ve always wanted.
Here's a preview I’m working on for Mixstein: Mixing Intelligence.
I just wanted to show you guys a little bit of behind the scenes. I’m diligently working. The chromesthesia will read your mix and change colors to show you where the frequencies lie. It’s pretty neat. I just wanted to share it with the group and let y’all know the beta will be coming.
Here's a preview I’m working on for Mixstein: Mixing Intelligence.
1 like • Jul 3
incredible bro , cant wait to beta test.. so many ideas
Welcome to The Board Room. The door's open — here's what's behind it.
If you came in off the video — no, that wasn't clickbait. MIXSTEIN is real, it runs in my actual sessions, and you just walked into the room where it gets built in public. Quick on me: 20+ years mixing and mastering, real outboard — Neve 5059, SSL Fusion, the WesAudio chain — and I'm building MIXSTEIN because every "AI mixing" tool I've tried treats your song like a preset. MIXSTEIN isn't that. It's Mixing Intelligence, not AI — an instrument that learns you, not the internet's average. What this room is: producers and engineers sharpening craft out loud. Real gear, real sessions, real decisions — and the why behind them. I post the build as it happens (the wins and the stuff that breaks), break down real mix moves, and you get first crack at the MIXSTEIN beta before anyone outside these walls. What it's not: a place to lurk. The people who get the most here are the ones who post. So let's start the first real thread 👇 What kills your mix momentum? The exact moment a session stalls — vocals won't sit, low end turns to mud, last night's mix sounds flat this morning. Be specific. That stall point is exactly what I'm building MIXSTEIN to kill — and your answer shapes what I build next. Welcome in. 🎛️
1 like • Jun 3
For me, the problem isn’t knowing what I want the beat to sound like. I hear the character already. The warmth, the dirt, the knock, the swing, the space, and that feeling you get from certain records where everything just sits with soul. The hard part is translating that into the DAW without killing the creative momentum. Once I have to stop creating and start fighting gain staging, cuts, levels, low end cleanup, and all the little technical stuff, it starts pulling me out of the pocket. I don’t want AI making the creative decisions for me. That part is mine. I want AI to help with the grunt work so I can stay focused on taste, feel, and direction. Less fighting the mix. More shaping the character.
2 likes • Jun 13
@TouchTone Dsg That’s exactly the lane I’m thinking in. I create in a real unorthodox way. Sometimes inspiration hits in the moment from doing something random, listening to something, messing around, then I start tinkering until a loop finally starts talking back to me. That’s the moment where I don’t want to stop and become the engineer. That’s where I would want Mixstein to step in almost like it’s working behind me in the shadows. Cleaning up the technical stuff, gain staging, tightening the low end, helping the drums knock, creating space, but without pulling me out of the feeling. The goal isn’t for AI to replace my ear or taste. The goal is for it to become the engineer I always wanted next to me, translating what I’m hearing in my head into the DAW before the idea gets away. I really enjoy this concept because you’re one of the only people I’ve seen building toward what I actually picture when I think about AI and music production. If there’s any way I can help, test, give feedback, or just share how I’d use it as a producer, I’m definitely tapped in.
Your first Field Guide is here — Gain Staging
When you joined, I asked what you were stuck on. Gain staging came up more than anything else. So I wrote down everything I actually do, start to finish. The part of the mix nobody bothers to teach because it isn't glamorous. It's attached below as Field Guide N°1. Read it in order. It's built to take you from "I think my levels are fine" to knowing exactly where your signal sits at every stage, and why that matters before you touch a single plugin. And real talk: thank you for being here. I'm one guy building this in public, and a room full of people who want to get sharper is exactly what I was after. Iron sharpens iron. That's the whole point of this place. This is N°1 of a series. More coming. After you read it, tell me the one spot in your gain chain you've never been sure about. I'll go deeper on the most common one in the next guide.
1 like • Jun 13
very helpful my friend .. Thanx
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Dan Morgan
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@daniel-morgan-6432
I make AI make sense for human services. Systems & automations built for frontline workers, care workers, and social services. MBA. Founder of VALUED™

Active 4d ago
Joined Jun 3, 2026
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