Just tappin in to see how's everyone doing?

Hey everyone,I came across this gem of a good read on LinkedIn... How Music Supervisors Actually Find Music in 2026 https://www.linkedin.com/pulse/how-music-supervisors-actually-find-2026-aaron-davison-64yyc?utm_source=share&utm_medium=member_android&utm_campaign=share_via

I could use your help. I'm working on some impactful sync events for 2027, and before I finalize the programming, I want to hear from the people who matter most: YOU! If you could attend ONE session, what topic would provide the most value for your career? - 🎬 Music Supervision (Film/TV/Streaming) - 🎞️ Trailer Music - 📺 Brands & Advertising - 🏈 Sports Sync - ⚖️ Music Law - 🎮 Gaming - 💼 The Business of Sync (publishing, royalties, metadata, MLC, SoundExchange, etc.) - Or is there another topic you'd rather see? More importantly... What are your biggest questions about sync licensing right now? Don't just list a topic: Tell me what you're struggling with or what you've always wanted to ask. I'm reading every response, and your feedback will directly influence the programming I'm putting together. Thank you! Let's go!

Hey everyone! 👋 I am offering a free listening session this Saturday. If you would like me to review onr your songs live, you can join the live session here on SKOOL. I will be going live here on this platform. Please send ONE ☝️ song via a disco link to [email protected] 🔗 no later than Friday @8pm eastern. You’ll need to include Subject line: LEVEL UP LISTENING SESSION. If you’re not open to honest feedback and constructive criticism, this may not be the listening session for you. I am 100% honest when listening. 🫶🤝 #levelup

Nice insights Brianna and I feel you on if you wanna sell some IP to help your situation,#GoForIt lol Quick question,are you still in touch with that company you met at the PMC and sold the Trailer music to? If so ask them what are they needing at this time,you can be the mediator on it , 50/50 split