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JZ Microphones Community

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Mastering.com Members Club

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Intro to Music Production

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The Reverse Engineer

1.7k members • Free

25 contributions to Mastering.com Members Club
The Reverse Engineer
I was wondering if I could book a call for joining TRE? I was wanting to do it this week but I didn’t get the chance and next week appears to be booked up. I’d very much like to take advantage of the discount but with the deadline being the 31st and no more times that I know I can book, it seems that I am just plum out of luck? If I could get help with the situation, I would greatly appreciate it.
0 likes • 12d
@G.j. Marshall
1 like • 22d
@Lee Tagg It would be cool to have a hybrid setup, so a little of both.
2 likes • 20d
@Lee Tagg Maybe it will be better on certain voices. Thanks for your review.
My beginner experience finding Mixing Heaphones so far
This club has a nice mix of beginners like me and more experienced people so I think others might benefit from a discussion about my headphone quest. Tell me if you can relate: Context: My current headphones are Beyerdynamic dt 770 pro 80 ohm (not the 250 ohms version, I wasn't too confident my Scarlett 2i2 3rd Gen could drive them), I bought them as an all purpose kind of headphone to start off with: - For tracking (It bleeds the click track a little bit though, so I got cheap in ear monitors for whenever the playback quality isn't very important and only the tempo marking is). - For learning the basics of music production and mixing with the intention of publishing well represented songs (not suuper professional but well balanced music that translates into multiple audio systems). So far I used these closed back headphones for the entire production stage with no Eq correction (they are good enough for recording, tracking and ball parking sound design) and only later - when switching to more of a "mixing" mindset - I place an Eq with a correction curve in the master track I got from github (I am always careful not to render the song with the Correction Eq Curve on): https://github.com/jaakkopasanen/AutoEq/blob/master/results/crinacle/GRAS%2043AG-7%20over-ear/Beyerdynamic%20DT%20770%20Pro%20(80%20Ohm)/README.md (I don't actually use correction software like sonarworks or dsoniq Realphones, I cut costs were I can). The problem is! I have the chronic beginner limitation issue, little frame of reference... I can't really know if these Headphones are serving me well for critical listening or not... I haven't mixed on other headphones yet. Now I am thinking that maybe a pair of open backs might be a significant improvement and might help me even in the learning process, making certain details more apparent, the transient information more obvious which makes compression easier to learn, frequency separation more detailed to help with identifying problematic regions, resonances, with identifying harmonic saturation changes, to perceive stereo image better, etc....
1 like • Jan 5
Definitely get the Ollo’s if you can afford them. They are worth it!
Question about the Female Producers Call
I can see in the calendar that there are monthly calls for women, which I think is absolutely fantastic! The call unlocks with a premium membership, but it says it's for TRE in the description, thus the confusion. Are you welcome if you have a Premium membership, or is it only for women who are a part of TRE?
0 likes • Jan 2
@Berlin RedluX
Commitment statement
I won’t let anything hold me back from continuing to make music and developing mixing & mastering skills.
0 likes • Dec '25
That’s what it takes!!
1-10 of 25
Dana Bradshaw
4
78points to level up
@dana-bradshaw-6834
Guitarist/Singer at Dana Bradshaw, Winner of the Zakk Wylde Guitar Center Masterclass Competition

Active 2h ago
Joined Dec 5, 2023
Michigan
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