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Intro to Music Production

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537 contributions to Mastering.com Members Club
What DAW Do Y'all Use?
I am curious to find out what DAWs are being used. More importantly, does the DAW matter more than the skill put into using it? I personally use Cakewalk.
Poll
1170 members have voted
1 like • 4d
@Anthony Story Good choice!!!
0 likes • 4d
@Noriko Wright I imagine you would be the one to find all the pros and cons of the different DAWs. That's impressive to work with so many different ones.
gainstaging a synth irl: noise or clipping, my choice
I have an old original uno synth that i'd like to play around with but I can't get a decent signal from it. Cabling types are my enemy here, I think, maybe. The uno's out is 1/8 phones like it thinks its a walkman. I want it to go through a kaoss fx module, which uses rca. sigh. Straight into the yamaha mixer (via 1/4") and its too quiet. no problem, I think, crank the gain. Hum galore. ok, there's a bbe 282 maximizer available, maybe use that (1/4" patch i/o), then to the mixer (same 1/4" in). nooo.. now I can turn off the gain but I get clipping. eew. no. it has no volume or gain to adjust. the clipping sounds digital too, which doesn't make sense. I now just tried the second to last option. a behringer fx 2000; its got a compressor-maximizer preset. this is the best i've gotten but the noise is probably only reduced by a third this way. The very last option is an old art tube pre. I don't like this option because its... busy already. Somebody please tell me using a headphone amp is the dumbest thing in the world before I try it;p All this should be signal level but I'm getting noise going from phones to anything. I even have an 1/8" phones to xlr to go straight to the yamaha, eliminating any rca in the path. This isn't much better either. Any thoughts? Options, to review: Uno Synth, 1/8 out behringer fx2000 multi fx, 1/4 and xlr i/o bbe 282iq, 1/4 i/o korg kaoss fx, rca i/o art dps II preamp, 1/4 and xlr yamaha 12xu, xlr, 1/4, rca
2 likes • 10d
MIDI and audio are not the same thing. MIDI is the digital communication standard between digital devices whereas some devices have internal electronics to take the MIDI data, process things and produce an audio output. WD-40 now has a cleaner called Specialist Contact Cleaner readily available at Home Depot, hardware stores, Amazon, etc. It does a good job on connectors when you spray them and cycle the mating connector a number of times. I'm not sure what your output signals are but it could also be a mismatch of impedances, older devices with newer. Can you post a picture showing the back side connections of each of your devices?
2 likes • 10d
@Brian M Got it. I was thinking MIDI would let you do all the stuff you wanted to do and then bring it into something modern that has the kind of audio output you get line level signals with to go into your interface. Are you able to put headphones on the two units and hear good audio?
Mixing mastering feedback please
Hi just hoping to get feedback on this mix. I’m not sure if I should mention some of the aspects about it so I’ll talk about that after you can hear where it is now. Many thanks in advance
1 like • 10d
My comment is too much reverberation in the mix, and the instruments are background to the vocal. It's missing depth. The frequency balance doesn't come through. I would like to hear this mix without any effects so we can all assist in getting it sounding its best.
Sync Licensing Question
Hey guys, I got an email saying it is from Spirit Music Group and a song of mine has been selected for a Netflix feature film. I first felt it was a scam however I submitted a brief questionaire which didn't ask any questions I felt could be used to scam me. Tonight I received a contract which looks legit however under one section titled "Administration Fee" it states "to secure and facilitate the guaranteed placement the artist agrees to pay a one-time, upfront, fully refundable administration fee". Is this a common practice? Unfortunately the Spirit Music Group website has no contact submission or I would ask them directly. Thanks in advance for any thoughts on this.
1 like • 16d
Don't pay to play!!!
Groove compression for a fast pace beat
Hey, guys. I'm mixing a beat that 137 BPM. It's a fast paced R&B beat. I know I need a slow attack and fast release on time with the tempo, but since the drums are closer together and there're more in each bar, I would want the quickest of the slow attacks with the fastest release, right?
2 likes • 23d
It's all about the sound you want whether it is a snap, punch, thump, soft attack, sustained body, tail off, etc. watching the needles is good advice. Just keep in mind that keeping the initial transient attack probably has the most noticeable change to the sound for dynamics and punch. It's all about the milliseconds under your control. The body of the waveform gives what I would call character and presence. If the compressor your using doesn't quite get you where you want, consider transient shapers as another means. Check out a Mastering the Mix article on "Best Compression Settings for a Punchy Mix"
1-10 of 537
Andy Laird
6
460points to level up
@andy-laird-4006
Singer-songwriter, musician and studio owner

Active 14h ago
Joined Jan 23, 2023
Carlsbad, CA
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