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5 contributions to Writing
The Draft You’re Afraid to Ruin Is the One That Needs Editing Most
Angle:Many authors hesitate to revise a draft they ā€œloveā€ for fear of losing its magic. This post would explore why that fear is natural—and why careful editing is often what protects the heart of the work rather than destroying it. Why it resonates:Almost every writer has a draft they’re afraid to touch. Naming that fear invites recognition, comments, and shared experience. Discussion prompt: Is there a piece you’ve been avoiding revising because it feels too fragile?
The Horror of the Ordinary Weekly prompt 1
They opened the forbidden door expecting something monstrous. Instead, there was a quiet kitchen, warm light, a ticking clock. Everything looked normal. That was what terrified them. Ordinary meant the door had been opened before—and whatever belonged there knew exactly how to blend in.
What I Read for First as a Beta Reader (It’s Not the Plot)
Why it’s relevant: Many authors assume beta readers are hunting for plot holes or line edits. In reality, experienced beta readers often respond first to orientation, trust, and emotional clarity things that determine whether the reader can stay with the story at all. What the post could cover: - The first signals a beta reader notices in the opening pages - How confusion differs from mystery - Why voice and emotional grounding matter before structure - What early feedback can reveal that later edits can’t - How authors can prepare a manuscript for beta readers The need for authors to engage: It demystifies the beta-reading process and helps writers understand how readers actually experience their work prompting questions, comments, and DMs. Discussion: Writers: what do you hope a beta reader notices first? Beta readers: what makes you trust a story early on?
1 like • 15d
@Gabriel Xantalos That’s a really thoughtful, and I think it captures the tension perfectly. As writers we’re attached to the care and intention behind the details, while as beta readers we’re responding primarily to immersion and momentum. Learning to hold both perspectives and to separate intention from effect—is a real skill, and it sounds like you’re doing that work with a lot of self-awareness.
1 like • 15d
@Gabriel Xantalos Honestly switching between those lenses has taught me to distinguish intention from impact—what I hoped the page would do versus what it actually does for a reader. Holding both perspectives has made my feedback more precise and my own revisions more grounded.
Introduction Post!
I'm gonna start introducing new people to the group every week, just to provide another way for people to feel welcome and able to get started. For this batch I'll be doing everyone who joined since the 3rd, so there'll be some already-active folks in here - forgive the pings, I reckon it's just good to start as you mean to continue. If you see your name here (or heck, even if you don't), feel free to say hello in the comments, we're a friendly bunch. A warm welcome to: @Bob Ellison, a self-described daydreaming bookworm with an overactive imagination! (I know the feeling) @Amanda Penfold, coming to us from London! @Christine Hastings, writing historical fiction, specifically fantasy-flavored/reimagined Tudor England! @Sarah Smith, creative, introverted, and also from London! @Kirsten Ivatts, who's been a wonderful presence in the group thus far, sharing poems, longer works, and a lot of discussion! @Ricky Brown, a profoundly spiritual poet who's made me aware of a lot of other writing groups here on Skool! @Amazing Drafts, someone focused on giving people feedback to help their writing get better! @Andrea Winter, a Christ-loving teacher! @Marco Avila, a veteran of the Marines who's used those experiences to make some really good stuff he's shared here! Poems, longer-form work, all sorts. @Mennahz Glorious, someone also hoping to help writers in a professional/editorial sense! @Ryan Hart, a jack of all trades and master of one (which I also share mastership of, believe you me!) @Jessica Huckabay, who's also been a very good presence in the group thus far! Shared the first chapter of a sci-fi/fantasy novel she's working on and has also planted the seed of 'do more writing prompt stuff' in my brain.
1 like • 23d
Am moved by this
The Creatures Come Crawling (another spooky poem)
This is another poem I wrote when I was somewhere around 12-13 years old that I found while sorting through old papers. Took me a while to decipher what the heck I'd written due to my godawful handwriting - I have outcompeted doctors in this regard - but I managed! (maybe one of these days I'll share something that isn't decades old, eh?) Anyway... Spooky phantoms out at night Heart attack comes on with fright Something winging through the air A dripping, growling, fearsome were Comes crawling its way towards you. Tendrils of fear Creep into your ear And when you're frozen with fright All the creatures of the night Will come crawling their way towards you. Squelching shivers Your back has shivers Run home to bed! Better a coward than dead For when you're frozen with fright All the creatures of the night Will come crawling their way towards you. They will never be stopping Sending bodies dropping Don't show your fear! They can smell it. Don't show your fear! They can tell it. For when you're frozen with fright All the creatures of the night Will come crawling their way towards you. Don't let them get there.
2 likes • 23d
I love the verse 4, i will say they smell fear and so they breathe to resolve. They count bodies—we count reasons to endure.
1-5 of 5
Amazing Drafts
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6points to level up
@amazing-drafts-2654
I enjoy shaping drafts, strengthening voices, and giving encouraging, constructive feedback that helps writers level up their work.

Active 2d ago
Joined Jan 7, 2026