You may hear me talk about Zetsumetsu Eoe a lot

You may hear me talk about Zetsumetsu Eoe a lot — here’s why

You’ll hear me mention Zetsumetsu The End of Everything often because it isn’t just a name. product or story

It’s the core concept behind everything I build.

Zetsumetsu: (Eoe) is my central creative reality and long-running multimedia project.

It functions in Three ways at the same time:

a sandbox to test my R&D work, A narrative world for Zetsu and a real blueprint for how I build digital brands, products, and systems.

At the center of it is the idea of a Ripple Effect, a Zetsumetsu.

One major event that fractures reality and creates multiple connected outcomes. That same logic is used across the project and across how I teach creation.

Although The Zetsumetsu Reality spans over 160+ interconnected components

Some of it's Core Components of the ZEoe Reality are

The "Zetsu Eoe" brand itself, a massive, immersive ecosystem that includes:

The Book & Graphic Novel: The "1st Ripple," an illustrated sci-fi/apocalyptic story available in digital and hardcover formats that explores the "End of Everything".

The Trading Card Game (TCG): A competitive card game with an online beta (OTCG) and upcoming physical versions. It features a "first-in-the-world" TCG hologram system developed by Suber to bring cards to life.

An animated mini-series (Zetsumetsu EoE) that adapts and expands events from the book

Zetsu Eoe Sora Reality: A recent 2025 video series (often shared on Reddit and Skool) that uses AI tools like Sora to visualize the lore and explain the "Sub Cannon Z" logic behind the brand.

Gaming & Apps: The ecosystem includes a horror RPG (in development), webcomics, and "endless runner" mobile apps.

Digital Assets: Includes an immersive NFT collection and the Artworqq Token, providing fans with digital ownership of rare assets within the universe.

Why It Matters to His "School"

For students of Zetsu EDU, Zetsumetsu Eoe is used as a live case study. Real world uses to prove that a single creator can build a "recursive multiverse" of products—including books, games, and tokens—without needing a traditional publishing house or major studio.

It is the ultimate example of the "product-led branding" I teach at Zetsu EDU.

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