Lately I’ve been thinking about how often we write scenes where something happens… but nothing really changes.
So I’m curious:
When you finish drafting a scene, do you consciously ask yourself what shifted — emotionally, relationally, or in terms of stakes?
Not necessarily plot twists. Even something subtle, like:
- A character deciding something privately
- A relationship cooling by one degree
- Hope rising… or shrinking
I’d love to hear how you think about this in your own process. Is this something you check for during drafting, or only in revision?