A small craft question that changes everything
Lately I’ve been thinking about how often we write scenes where something happens… but nothing really changes.
So I’m curious:
When you finish drafting a scene, do you consciously ask yourself what shifted — emotionally, relationally, or in terms of stakes?
Not necessarily plot twists. Even something subtle, like:
  • A character deciding something privately
  • A relationship cooling by one degree
  • Hope rising… or shrinking
I’d love to hear how you think about this in your own process. Is this something you check for during drafting, or only in revision?
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Naomi Inks
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A small craft question that changes everything
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