We help Performance Artists expedite career success. 🎬 Step 1: Watch Module 1 of our new course. 🎬 Step 2: Comment on this post introducing yourself. "Hey! My name is _____. My job is _____. My current project is _____. My favourite film is _____." 🎬 Step 3: What’s your Kuyashii—the moment that lit your fire to prove them wrong? 🎬 Step 4: Reply to 1-3 other introductions. This is a community after all 😊

Love this idea of a curated library club. I read Hero with a Thousand Faces years ago and use Campbell’s Hero’s Journey in my story arcs. The opening passage here is excellent: https://www.skool.com/thealiveinstitute/classroom/450790b5?md=328df3746cfb483c85e7734e09f80a35

A huge shoutout to our top contributors this past month. Your active participation drives the heart of our community: 1: @Jacob Lorenzo 2. @Olivia Bruce 3. @Sydney Holmberg Keep growing 🌳🚀

Hi. I have unlocked the Pro Level classrooms (wish they would be available sooner but well worth the wait) and am in the lesson on Logline vs Tagline. I understand that a Logline is something me as the writer would create and use in a pitch (meeting or deck) but is creating a tagline something I need to be concerned about or is it the movie studio marketing departments job to come up with that? Thanks.

Leaf a comment below, listen to a DJ Honey Drizzles Playlist or directly import your iTunes playlist into the Auditory Stories Room to keep the musical buzz flowing.