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9h •
Make Music Masterclass (April 20th-24th)
Excited to introduce our brand new 5-day virtual workshop, called the Make Music Masterclass. What is it? Week-long virtual workshop where the Mastering.com team will guide you through the process of creating a song from start to finish, teaching fundamental music production techniques along the way. When is it? April 20th-24th (next week, Mon to Fri). Each day will last around 2hrs and will start at 9am PDT / 12pm EDT / 5pm BST / 6pm CEST. Why should I attend? To improve the quality of your productions and recordings, and finish a track with professional guidance. This is a rare opportunity to learn the complete music production process from start to finish, in real time, with instructors who have made it their mission to demystify the music creation process. How much is it? Tickets are $49 and must be purchased before the event starts on April 20th. How do I join? Check out this page for all the info, along with a day-by-day breakdown, and the link to reserve a ticket. Hope to see you there! Cheers, Rob
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4d •
New Replay links and Mentor Call Calendar LIVE NOW!!
The new pages for watching replays for events and mentor calls is live and can be accessed for Premium and VIP members by going to the Classroom and Start Here section and clicking on the Replays page. The link for the replays is on that page. It is also be on the Check-in & Replay Links section under Replays. (The old spreadsheet is still there also and will stay there until it's not valid any longer.) Also, there is a new Calendar for anyone wanting to watch a live Mentor Call. This is a great opportunity to learn by watching as the Mentors help others with their tracks and questions. Being a "fly on the wall" for these calls are very educational. The link to that calendar will be in the Check-in & Booking Section for VIP's to attend. Please don't share these links publicly ... they are for Premium and VIP Members only If you have any questions, feel free to DM me. If you want access, please join one of our plans by going here: https://www.skool.com/mastering/plans
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Dec '25 •
Start here & FAQs
Welcome to any new members! Please read this post carefully, and complete the following steps. 1️⃣ Step 1 - Watch the relevant "start here" video Paid/free trial members, watch this first: https://www.skool.com/mastering/classroom/de802fd9?md=65e2c1b717dd47bf9ba4416487958d2c Free members, watch the video attached to this post. 2️⃣ Step 2 - Introduce yourself Please leave a comment on this linked thread to introduce yourself: https://www.skool.com/mastering/introduce-yourself-here Okay there are some FAQs below, other than that, thanks again for joining, and welcome to the Mastering.com family! -- 🚨 Frequently Asked Questions 🚨 ➡️ I’m currently a free member, how do I learn more about paid membership and upgrade? All the info is here: https://courses.mastering.com/membership_info_skool ➡️ Where can I find the resources for the Mixing & Mastering Cheat Sheet Binder? Go to Courses tab then click on Mixing & Mastering Cheat Sheets Here is a direct link: https://www.skool.com/mastering/classroom/edf13df1 ➡️ I registered for a free event, where do I get the Zoom link and full info? Navigate to the Calendar tab then click the event you want, it will open a popup with all the info and a button to add it to your personal calendar. ➡️ How do I manage my membership and billing? The easiest thing is to message [email protected] and we can help change your billing info or cancel. If you want to do it yourself, depending on where you joined, there are two places you will need to go. If you joined via the Mastering.com website or through a free trial, login and click “Manage Membership & Billing” on this page: courses.mastering.com/settings
3d •
Objective Listening...
... has never been one of my strong points. For a very long time (two decades and over), I've been hooked on the notion of "I don't want my music to sound like everyone else's", largely because everything I heard on the radio seemed to sound the same... to the point where I stopped listening to the radio So when the idea of using reference tracks was put to me about six or seven years ago, I was quite skeptical and chose not to go down that road. Focussing on the "why" instead of the "what" has now made me realise [with clarity] that it wasn't the case of those songs on the radio sounding the same. They got radio exposure because they all had the same or similar treatment throughout each stage of the production process, making the final product pleasing to the ear. Focusing on the "why" has also made me realise why I have so many unfinished projects; because I wasn't referencing any of them against anything. I knew what I wanted to hear but I had nothing to 'point' me in that direction. Today, even though it was part of a lesson (Music Production 101 – Your Greatest Asset), I used a reference track for the first time. It's another liberating experience since I've joined the club... and just that single experience made me also realise it was more arrogance than fear that prevented me from.doing it in the first place. PS: One of the things I love about objective listening? Sometimes, you don't even need to hear a sound; let your eyes do the listening.
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8d •
New music
If you have new music you want to share to get some exposure, post it below! If you want feedback or have a specific conversation about the song, you can do a dedicated post. But if you just want to share something you've release to help get streams, post it below (and make sure you stream other peoples music too!)
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This is a community for artists, producers & engineers who want to achieve pro quality in their music.
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