Starting the second week of the Hands On residency program, and I’ve already had some realizations and really meaningful insights.
During our last session, we spoke with Maria Positano. As I was explaining my process, I mentioned that I wasn’t sure whether I should include text or poems alongside my work to help explain it. She said something that has stayed with me ever since: not everything needs to be explained, the work itself speaks.
That thought has been sitting with me for days.
I think, for a long time, part of me felt the need to prove that what I was making was important, almost as if I needed to provide evidence or justification for it. But why? Why did I feel the need to over-explain something that could already be felt?
Maybe some things are simply meant to be experienced rather than translated into words.
As I continue reading The Other Side, I’ve come across reflections that resonate deeply with the way I experience and create art. Lately, I’ve been realizing that the more expectation, ambition, and ego I bring into the process, the less space I leave for creativity to flow naturally.
One quote from the book that I absolutely love says:
“Perhaps this is how inspiration arrives: by letting go of expectation, of ambition, of the ego. By allowing unexpected elements in. By not always knowing the answer, or shifting the tenor of the question.”
And I think that’s exactly what I’m learning right now, to trust the unknown a little more.