Great Drum Sounds Start Before You Hit Record
This channel is dedicated to recording drums the right way.
Full kits. Real rooms. Real players.
We’ll cover everything from one-mic setups to 16+ mic sessions. Minimalist approaches. Full production setups. When more mics help — and when they just create phase problems.
The core philosophy here:
Source > Drummer > Mic placement / setup > Gear
If the kit sounds bad in the room, the recording will reflect that. Tuning, head choice, damping, cymbal selection, and player dynamics matter more than your mic locker.
We’ll break down:
Drum prep and tuning
Room choice and mic placement strategies
Kick, snare, tom, overhead, and room mic approaches
Phase alignment and polarity
Editing and tightening techniques
Sample reinforcement (not replacement) when needed
Programming isn’t the focus here, but we’ll touch on it if it serves the conversation.
You’ll see comparisons between different mic counts, different rooms, and different philosophies. The goal isn’t complexity. It’s control.
If you can record drums well, everything else gets easier.
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Scott Baber
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Great Drum Sounds Start Before You Hit Record
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