You don't need to hold something to use a prop. Sometimes your body is the prop.
Most speakers either pace nervously or stand frozen behind a lectern. Both waste the most powerful visual tool you have: intentional movement.
๐—ง๐—ต๐—ฒ ๐˜€๐˜๐—ฎ๐—ด๐—ฒ ๐—ถ๐˜€๐—ป'๐˜ ๐—ท๐˜‚๐˜€๐˜ ๐˜„๐—ต๐—ฒ๐—ฟ๐—ฒ ๐˜†๐—ผ๐˜‚ ๐˜€๐˜๐—ฎ๐—ป๐—ฑ. ๐—œ๐˜'๐˜€ ๐—ฎ ๐˜ƒ๐—ถ๐˜€๐˜‚๐—ฎ๐—น ๐—น๐—ฎ๐—ป๐—ด๐˜‚๐—ฎ๐—ด๐—ฒ.
Here's how to use it:
Anchor your ideas to locations. Talk about the past on one side of the stage, the future on the other. When you physically move between them, the audience sees the transition โ€” not just hears it.
Step forward for emphasis. When you deliver your key point, move toward the audience. It signals importance without you having to say "this is important."
Use stillness as contrast. Constant movement becomes noise. But if you've been moving and then suddenly stop โ€” that stillness commands attention.
I coach speakers to think of the stage as a map. Different positions mean different things. Once you've established that visual logic, your movement does half the storytelling for you.
The audience doesn't just listen to your talk. They watch it. Give them something worth watching.
Random pacing is nervous energy. Intentional movement is a prop.
How deliberately do you use movement on the stage when you speak? ๐Ÿ˜‰
Move? I am frozen like a deer in headlights! ๐ŸฆŒ
I love the sea, which might be why I sway from side to side. ๐Ÿ„๐Ÿผโ€โ™€๏ธ
Speed walkers have nothing on my I check my step count after my talk! ๐Ÿšถ๐Ÿผโ€โžก๏ธ
I have this nailed. I stand calmly and confidently with intentional movement. ๐Ÿ˜Ž
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Chris Hanlon
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You don't need to hold something to use a prop. Sometimes your body is the prop.
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