The counterintuitive advice that transforms TEDx openings.
Most speakers want to start by introducing themselves and their topic.
"Hi, I'm Emma Nicholson, and I'm a volcanologist. Today I want to talk about sustainable mining..."
๐——๐—ผ๐—ป'๐˜ ๐—ฑ๐—ผ ๐˜๐—ต๐—ถ๐˜€.
Instead, I tell my speakers to do one of two things:
๐Ÿญ. ๐——๐—ฟ๐—ผ๐—ฝ ๐˜๐—ต๐—ฒ ๐—ฎ๐˜‚๐—ฑ๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ ๐—ถ๐—ป๐˜๐—ผ ๐˜๐—ต๐—ฒ ๐—บ๐—ถ๐—ฑ๐—ฑ๐—น๐—ฒ ๐—ผ๐—ณ ๐—ฎ ๐˜€๐˜๐—ผ๐—ฟ๐˜†.
Emma's actual opening: "I'm crouched in the ice and snow on the side of a mountain with two delicate pieces of scientific equipment, desperately wishing I had a third arm. This was a bad time to discover that duct tape doesn't work in sub-zero temperatures..."
You're hooked. You don't know who she is or what the talk is about yetโ€”and you don't care. You're on that mountain with her.
๐Ÿฎ. ๐—ข๐—ฝ๐—ฒ๐—ป ๐˜„๐—ถ๐˜๐—ต ๐—ฎ ๐—ฟ๐—ต๐—ฒ๐˜๐—ผ๐—ฟ๐—ถ๐—ฐ๐—ฎ๐—น ๐—พ๐˜‚๐—ฒ๐˜€๐˜๐—ถ๐—ผ๐—ป ๐˜๐—ต๐—ฎ๐˜ ๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐˜๐—ฒ๐˜€ ๐˜๐—ฒ๐—ป๐˜€๐—ถ๐—ผ๐—ป.
Emma could have started: "Mining is one of the most wasteful, inefficient processes on the planet. Tonnes of waste rock, massive energy expenditure. But what if we could suck the metal straight out of the magmaโ€”creating no waste, with far greater efficiency?"
Now you're leaning in, wanting to know if this is even possible.
Here's why this works: ๐—ฌ๐—ผ๐˜‚๐—ฟ ๐—ฎ๐˜‚๐—ฑ๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ ๐—ฑ๐—ฒ๐—ฐ๐—ถ๐—ฑ๐—ฒ๐˜€ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ณ๐—ถ๐—ฟ๐˜€๐˜ ๐Ÿญ๐Ÿฑ ๐˜€๐—ฒ๐—ฐ๐—ผ๐—ป๐—ฑ๐˜€ ๐˜„๐—ต๐—ฒ๐˜๐—ต๐—ฒ๐—ฟ ๐˜๐—ผ ๐—ด๐—ถ๐˜ƒ๐—ฒ ๐˜†๐—ผ๐˜‚ ๐˜๐—ต๐—ฒ๐—ถ๐—ฟ ๐—ฎ๐˜๐˜๐—ฒ๐—ป๐˜๐—ถ๐—ผ๐—ป. Starting with credentials or topic explanations is like starting a movie with the credits. Nobody came for that.
Story or question. Middle of the action or the tension of possibility.
That's how you earn the next 14 minutes.
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Chris Hanlon
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The counterintuitive advice that transforms TEDx openings.
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