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The W.R.I.T.E. Society Cafe

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AI Automation (A-Z)

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The Galactic Foundry

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8 contributions to The Galactic Foundry
Daily Challenge - "The Forbidden Place"
There’s a place in your world where people are warned never to go. What makes it forbidden, and what really lies there?
3 likes • 29d
There are several forbidden places in my world for various reasons. There's a 3000 square mile dead zone where nothing grows and radiation levels are alarmingly high. Going there is a death sentence. The Western region of the nation most of my story takes place is populated by various bickering rebel groups, hermits, runaways, and paranoid ex-patriots that choose to live disconnected from technology. The government has stated that anyone entering the region does so at their own risk. In a remote areas outside of a major city, there are some ruins. The government has warned people to keep out for reasons they do not explain. My protagonist is a frequent visitor to the area
What mediums are people here using?
I was curious what artistic medium people here were conveying their worlds in? I personally I've been creating worlds and stories in my head since I can remember but I've never really found a way to get them out of my head. At the moment I'm giving writing a go and working on Helm Knights (I may change the name later). How is everyone else sharing their worlds or are other people also struggling to find a medium that works for them?
3 likes • Aug 26
@James Bruski That sounds cool. I was big into those for awhile.
3 likes • Aug 26
I am working on a novel. Sometimes I create maps to help me understand how geography plays a part in the story.
What's the Scene You Can’t Wait to Write
What’s the one scene in your story that you’re most excited to write — the moment you’ve been building toward? It could be a huge twist, a quiet emotional beat, or the big finale. Share a little about why this moment matters to you!
2 likes • Aug 26
I have a scene about halfway into my story where a quality control inspector at a weapons factory is actually part of a rebel organization. The role gives him many ways to help the rebel organization gain a foothold in the area.
Would you want to live in your world?
When you think about your world, would you actually want to live there? Would you thrive in its cultures and cities, or struggle to survive its dangers and conflicts?
2 likes • Aug 26
I probably would not do well. Most of my story takes place in a society that is heavily stratified economically and socially. There is an ominous sense of dread about resistance groups coordinating attacks and enemy nations firing weapons at strategic targets. The fear of collateral damage adds to people's constant anxiety.
About to give up
I have been working on a set-piece scene that ends a chapter for the past week and all the feedback I get keeps telling me it doesn't work; but in the same breath, all of that feedback is completely disregarding the fact that it's a SINGLE SCENE inside a 5-Act book. Feedback mostly consisting of: 1. "Well, you didn't explain that yet so it's confusing." 2. "Well, this character isn't established yet, so it's problematic and dehumanizing." 3. "This is not believable for a human, and blah blah blah." After EXPLICIT instructions that let them know that all of those things are addressed LATER in the story. 1. No, it's not explained yet; that's part of the mystery, we explain it in Act 2 2. Of course this character isn't established, we just met them in this scene, and they are traumatized and confused. 3. Yeah, he's meta-human the reader/other characters don't know that yet, that's why he seems overpowered right now because he's the narrator of this Act, and why would he reveal that to you? It's like people don't remember how stories work anymore and expect complete arc resolutions on one page. The pearl clutching and the instant gratification expectations are seriously frustrating me, and I'm about ready to just stop all together. When did we stop (as a society) appreciating layered, multisectional, slow burn, mysteries and expect everything spoon-fed to use in the first chapter? I just don't get it, and if it's, this hard just getting accurate valuable feedback this early, I really don't see the point in continuing.
2 likes • Aug 26
Don't give up based on criticism. If it's valid, make changes. If you feel it is off the mark, put it to the back of your mind and keep going. Early drafts and even later drafts often have room for improvement. People reading chapters out of context might get confused at times, but that doesn't mean what you end up putting to paper will be hard to follow.
1-8 of 8
Steve Y
3
45points to level up
@steve-y-9273
Writer. Organizational development consultant. Wizard in the kitchen. Tall silence elsewhere.

Active 20d ago
Joined Aug 19, 2025
Ft. Lauderdale, FL