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The Brush Lab

168 members β€’ Free

19 contributions to The Brush Lab
Live Q&A Questions
In a little over 15 hours from now, we'll be having our first Q&A and I couldn't be more excited!!! So far i've had 3 questions: - how to play cymbals with brushes - how to change from brushes to sticks and back - how to approach paradiddles For those of you that can make it, you'll find the link in the calendar tab, but for those that cannot then please post your questions below and I'll do my best to answer.
Live Q&A Questions
2 likes β€’ 18h
Thanks a lot for this first session of "Q&A Questions". The way you answered the questions we dropped in was very helpful.
First Live Q&A
Happy New Year to all! I am so excited to let you all know that I will be running the first Brush Lab Live Q&A next Monday (Sunday for most of you), and it's open to all members! I know that not everyone can make it, so I would love for each of you to submit a questions below
First Live Q&A
2 likes β€’ 6d
How does one suitably play cymbals with brushes? >> Getting sound out of cymbals with brushes. A question that someone in the community already asked a few weeks ago and that would interest me as well.
1 like β€’ 6d
@Anthony Stanislavski Very cool. I hope I'm not asleep at that time - it is going to be 10.30pm at my place - and able to be part of the Q&A.
Happy New Year with doubles
Happy New Year to everyone in the Brush-Lab-Community around the world! I'm looking forward to joyful brush-moments in 2026 and learning more about playing brushes. After Christmas holidays with family and friends I picked up on something the last two days, that challenged me in the last Brush-Lab-Lesson (B2B) with Anthony in December (>> see classroom, B2B 7th Dec.): Playing Doubles out of the two-directional-singles with cross over. For me, doubles with brushes in trad-grip are one of the most challenging movements and technical-skills to develop at the moment, with which I struggle the most to get it accurate and clean. It's going to be a long way... Anyway: in the B2B-Lesson with Anthony on 7th December he showed me a great exercise to practice doubles, adapted from C.S. Wilcoxon's material. The two sheets "Rolling in Rhythm" have three sections A, B and C. Here is my "work-in-progress attempt" of section A at 100 bpm (2/4), playing HiHat on every 2, repeating section A (first page) twice. With two little mistakes in the 2nd turn at the end of line one (bar 4) and at the very bottom (last bar of section A)... As good as it gets so far.
Happy New Year with doubles
1 like β€’ 9d
@Anthony Stanislavski πŸ™
2 likes β€’ 8d
@Erkan SΓΆnmez πŸ™
Merry Christmas & Happy Holidays to all the Swishy Brush Legends
Merry Christmas for all those who celebrate it and happy new years to everyone else. I hope everyone has a great time over the holiday period. It has been a pleasure hanging out and playing drums with you in 2025. Thanks to @Anthony Stanislavski for putting this great community together. :)
Merry Christmas & Happy Holidays to all the Swishy Brush Legends
2 likes β€’ 9d
Very cool Steve! I like your Christmas-Clip a lot. Even if I just have seen it now, very late after Christmas on the 3rd of the new year. 🀩
Two further bossa-nova-approaches
Hey everybody. As I'm into bossa nova a little bit at the moment, I'd like to share two further approaches, that I picked up from Anthony and that I'm exploring now ("work in progress") under his guidance. >> Thanks at that point to the brush-master. πŸ™ In one of the examples I play two different accent-patterns with the RH, while the LH hand is sweeping. You can find these in the BGOD-PDF on page 42. And preliminary exercises on page 40 and top of 41, which I play ahead in my clip, before going into the patterns. >> Suggestions for improvement are very welcome.
Two further bossa-nova-approaches
1 like β€’ 9d
@Norbert Spoerk Hey Norbert. Thanks a lot for reaching out and dropping such a compliment for me πŸ™ To your question: I used and use to play bossa nova for quite a while now, but with sticks only in the past. With Anthony's approaches to bossa nova I got an opportunity to learn possibilities to transfer my bossa nova knowledge to brushes. But here I also had to start over again and first learn how to handle the brushes on my snaredrum. At the beginning it felt to me like playing a new instrument. And in certain whys it still does, over and over again, when I encounter new tasks πŸ™ˆ. But, thanks to the core techniques and core movement (>> see classroom) I learned from Anthony at the beginning, I could build up the skills for basic grooves and then apply them; for example to different bossa-variations. How long that took is very hard for me to estimate. But for certain movements - for example the fish-hook - I had quite a while. And: I'm still trying to improve and improve and improve... πŸ˜….
0 likes β€’ 9d
@Jake OSullivan Thanks a lot Jake.
1-10 of 19
Simon Schwarzenbach
4
23points to level up
@simon-schwarzenbach-1455
Simon Schwarzenbach - Drummer and Percussionist from Switzerland

Active 6h ago
Joined Oct 27, 2025
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