Activity
Mon
Wed
Fri
Sun
Mar
Apr
May
Jun
Jul
Aug
Sep
Oct
Nov
Dec
Jan
Feb
What is this?
Less
More

Owned by Robert

Book Design Like a Pro

226 members • Free

Design a stunning book cover like a professional. Find simple guides and tips inside, to avoid a DIY book cover that will hurt book sales.

Design comme un Pro

2 members • Free

Memberships

Raw Leader Premium & VIP

12 members • Free

Pro Raw Course Launch Lab

23 members • $947/year

Solomon’s Temple

48 members • Free

The Book Club

413 members • Free

Resolve School

152 members • $5/month

Make AI Ads

240 members • $7/month

Affinity Creatives

2.2k members • Free

The Build Room

2.5k members • $67/month

The Build Room (free)

4k members • Free

6 contributions to Typographic North
Is book design commoditised?
Looking at graphic designers, self-publishing services, Kindle Direct Publishing grifters and aspiring authors today, it seems like book design is an undervalued skill and service. Even the tools to design books and publications have basically become free, and all it takes to produce a decent-looking document is some time and effort. Of course, busy entrepreneurs would still like to spend money just to get the job done, but with the hoard of available freelancers on Upwork and Fiverr, it costs next to nothing to turn a Google doc into a printable book. That work certainly doesn't seem to have a lasting quality, but busy creatives don't care. Is the typographic art commoditised now? Can one sell book design services for a premium these days?
2 likes • 14d
I’d also say it’s been commoditized in the sense that free, pro-grade tools and templates made it accessible to non-designers. It’s now something many feel they can do themselves, or outsource cheaply to platforms that deliver decent results. Often far from premium, but for many creatives, it still “does the job,” as you and others mentioned. That definitely makes premium harder to sell. That said, I still see demand for premium. I’m just not sure how large or consistent that group really is. To me, it comes down to differentiation, positioning, and personal branding. I also agree that a bit of client education through content, and niching down, feel like a necessary path forward.
0 likes • 13d
@Kris Hus Totally agree. The way I think about content here is more about positioning than convincing. It’s within your niche, aimed at people already looking for your services but still comparing you against “good enough” options. I think it helps them feel confident in the outcome you’re selling.
Gary Halpert: 'Your type face should be a serif face'
I’ve read The Boron Letters, a collection of letters from accomplished copywriter and direct marketer Gary Halpert to his son in bloom, Bond (who also shares his comments in the book). It’s rather poor. I can understand why young copywriters today speak warmly of this book, as it is as fragmented, deconstructed and scattered as the copy of young writers today. But it has many gems of wisdom. I like how he pays attention to the look of his marketing materials – something that many who follow in his footsteps seem to have forgotten. For example: "One thing that helps is if your promotion has a 'crisp' look about it. In other words, the layout should be clean, there should be a lot of contrast, and it should look easy and inviting to read. Your letterhead should be dignified and non-distracting. Your type face should be a serif face (…)" Words of wisdom.
1 like • Jan 3
Love this insight. Clean, inviting, strong contrast... it does change how the message lands for sure! Thanks for the reminder.
Happy new typographic year! 🎉🍾
May all your words be well read and your page compositions pleasing!
2 likes • Jan 1
Thank you @Kris Hus ! Happy New Year 🎉
What would you like to get out of this group?
Hello type enthusiasts. I started this Skool group as an extension of my Instagram and later my newsletter. None of these outlets have been particularly active, and I'm now in the process of rethinking Typographic North as a whole. As a part of this process, I would love to hear your ideas about what this Skool group could become. Here's a few ideas that have been brewing: • Offer introductory courses in book and publication design • Offer Indesign and Affinity Publisher tutorials • Have recurring informal calls for members. Coffee hours, virtual co-working sessions, hangouts. • Arrange a book club • Create and share templates of various sorts Do you have any wishes or ideas for this group? Let's hear them! Together, we can shape this community's future. – Kris
2 likes • Oct '24
Hi @Kris Hus I definitely like the book and publication design courses, and the book club ideas. It would be interesting to dive deeper into the relationship between typography and book design!
Start here ➺ Introduce yourself
Hello, and welcome! If you're new here, I invite you to comment below with • your name • your location • your favourite typeface • anything else you'd like to share
3 likes • Oct '24
Hi everyone! I’m Robert, and I live in Quebec, Canada. I joined the community a few days ago, and I’m really glad to be here! I’ve been passionate about drawing and books for as long as I can remember. I started freelancing in high school, drawing pencil portraits of people, designing posters for charities, illustrating a few published books, etc. Over the years, I shifted to book covers and layouts design as part of my freelance work. My current favorite font is League Spartan—bold and modern, it’s definitely a go-to right now. Looking forward to learning from and connecting with you all!
1 like • Oct '24
@Kristoffel Boudens That's a great observation! I see the similarity too. I feel like League Spartan is bolder and has more impact, especially for uses like book titles and headings. I’ve been using it often for these lately —it does stand out.
1-6 of 6
Robert Alan
2
7points to level up
@robert-alan-3942
Passionate about systems and book design, I've designed several books for authors and editors. I love streamlining & simplifying design processes.

Online now
Joined Oct 11, 2024
INTJ
Canada
Powered by