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Fix-The-Mix™

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Licensing a song for a movie
**UPDATE, since this keeps getting comments: I ended up passing on the opportunity, as their terms were actually (my initial misunderstanding) that they’d get the song for free, credit me, promote it, and use it in the actual film, but I’d only get compensation if someone bought it and THEN put out a soundtrack, not just if the movie sold. That’s just an extra step/headache that didn’t sit right with me. Original post as follows in case anyone else ends up in a similar situation.** Hello all. I’ve got a friend that does indie movies and wants to put one of my songs in the film he just completed. However, speaking to he and his producer, I found out there wouldn’t be any compensation up front, but there would be the possibility to negotiate that from another party later if the film is sold. Also, it’d be featured in an actual scene (not just the credits), promoted, and they don’t intend to buy the song outright, just license it. I know the pitfalls of offering anything for free (you can’t pay bills with exposure, after all), especially since I’m not really trying to build a portfolio for this kind of work; I’d just be doing a solid for a friend and have the opportunity to say “my song’s in a movie.” I’m leaning toward no, but if I did say yes, I’d want to know what to look for in an agreement to protect myself and my song, so if anyone has any experience/advice with this, I’d appreciate it greatly. Thanks!
3 likes • May 12
Thanks for the perspectives, everyone! It feels a lot like the best answer in this situation is getting my ducks in a row on my end so I’ll be ready for whatever possible negotiations happen with the film down the line, and to make sure they start with a music budget in mind in the future so it wouldn’t be an issue if I’m ever asked again. Again, really appreciate you all taking the time to help me figure it out!
1 like • May 19
I get your perspective, but the opportunity didn’t feel right for the above mentioned reasons. I’m always open to the opportunity for something like this, but even running a cheap meta ad campaign likely would net more interest than I would’ve gotten from this deal. Perhaps I made a mistake, but I feel comfortable with it and now I know what to look out for in terms of (admittedly rare) deals such as these.
HAVE YOU EVER SWITCHED YOUR DAW?
Have you ever been so passionate about or so loyal to one DAW but then, come to find out you can fall in love all over again with a different DAW? Or, have you ever been frustrated enough with one DAW to make the switch to another DAW? Which one did you love or hate initially and which one did you switch to? Did you ever switch more than once? How about switch then…switch back? Please share opinions, experiences and…testimonials!
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27 members have voted
HAVE YOU EVER SWITCHED YOUR DAW?
1 like • Aug '24
Always been a magix user thanks to its programs being a deceptively powerful yet cheap option on my preffered platform, PC. Currently on Samplitude after upgrading from their music studio DAW a few years ago. Of the others: —I tried Reaper and wasn’t really blown away, but I love using the free suite of plugins you can get from them (ReaQ and reaxcomp especially) —Adobe audition is needlessly cumbersome for anything other than basic editing/mastering on something like a podcast. Definitely not designed for music production unless I’m just missing something. —GarageBand is fun for demoing on my phone, but awkward to use for anything more. —Last, though I know it’s incredibly useful and has all those amazing bells and whistles, when I tried to sit down and edit in Logic on a friend’s Mac several years ago, it drove me up the wall. I’m more versed in how Macs run these days though, so that coupled with Seids’ incredibly handy videos, makes me willing to give that one another go.
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Rich Owensby
2
9points to level up
@rich-owensby-3369
Musician and mixing engineer always looking for ways to improve

Active 2d ago
Joined Mar 18, 2024
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