This week I worked on a hybrid shoot for a production house. We started in AI. Setting, lighting, mood, composition. All figured out before anyone picked up a camera. The photographer used that as direct input for his light setup. The result? No driving to eight different locations. No guessing on set. One studio day. Done. A real photographer, real images, but AI did the prep work. Faster, cheaper, and the photographer walked in knowing exactly what he was going for. That's what hybrid looks like to me. Now your turn. Share what you've been working on this week. Finished result, first setup, random node, whatever. Just drop it below. 👇

You may have seen this workflow floating around. Lighthouse AI Academy — where I studied myself — featured my approach as a case study. But what I really want to share is the thinking behind it, because it's directly applicable in Weavy. I come from photography and film production. That's exactly how I approached this — not as an AI experiment, but as a shoot. The core of my approach: - Start with a production question, not an AI experiment - Lock everything upfront: face, lighting, styling, camera feel - Build one blueprint image that defines the entire world - After that, the only variable is the pose — just like a real shoot with models - AI only becomes powerful when you treat it like a production studio The full article walks through how I built this step by step in Weavy. Read it if you want to get inspired by a concrete, repeatable way of working. https://www.linkedin.com/pulse/locked-studio-how-jamy-built-brand-controlled-production-8i62f/