Yall know the drill! Track: This Almost Choose one 💙 Version I Version II

Caught the last few shares in the , Empathy Save the Species, Work Shop, this week. Unfortunately times difference means I cannot be there for the whole thing. I copied what Rus put in the chat, "Here’s how we: Pick content that is self-revealing, a bit uncomfortable, but still something that you are able to share publicly. Write 2 pc: 1. abstract/obscure; 2. Narrative/journalistic. Share both, discuss!!" And decided to have a go. Quite happy to do the "discuss!!", here if any one has any questions.

And back in the studio…. There are two versions of this track sample and I want honest ears on both before I move forward. Version 1 Version 2 And tell me why: which one feels more haunting, more cinematic, more emotionally exact, more replayable? I’m listening for: the vocal tone, pacing, atmosphere, tension, and which version actually leaves a mark after the 1:20 ends. Help me choose which version of “Do You Fit In?” deserves the next stage.

It’s here! This mini course is delivered in audio format. Each module is approximately 40 minutes long, meant to be broken down into sections at your leisure. You will find it in the: Complimentary section of the Classroom. This is the section where we include content that we provide free of charge to members. 😊 Feel free to use this section to share thoughts, feelings, or anything else related to the course. Enjoy!

Saw the "Carrying Tone" post. I haven't written to it yet. But I thought I would share this. The post particularly the second slide, took me back to when I taught theatre and worked as a stage and lighting designer. The over laid images are from a theatre design theory, Circa 1900, one I taught and was hugely influenced by in my design work. The Four Moods. Henry Edward Gordon Graig Stage designer early 1900s Movement, action, words, colour and rhythm, a strong means of conceptualization, combining in a dynamic form. Early Italian painters and architects, such as Duccio and Sebastiano Serlio, as well as the Japanese theatre, influenced Craig to pursue a "total" theatre, with an emphasis on dance and colour symbolism. Change the colour, change the tone, change the mood.