This painting by Frances Featherstone is ABSOLUTELY remarkable to me. It has interest, mystery and depth. I have spent no less than an hour studying it both for color and for composition. COMPOSITION first - in the second image, I have isolated the values and see this zigzag? This is what makes this image so successful in itโs composition. Weโve talked about triangles and these angles in the zig zag are along the same lines. Not exactly in the center and not perfectly symmetrical (super important!). She also brings in an odd location to view this perspective. COLOR - I have sampled the colors and put them in dots in the third image here. Be sure to open it big so you can see them all. There are basically two colors - pinks and greens. But itโs important to understand WHY these colors look so great together. If I were to mix these for oil paints, I would mix a large batch of For pink, Quadridone Magenta (QM) + Chromium Green Light (CGL) When I want to SLIGHTLY warm the value, I would add a little Cadmium Scarlet (CS) If I wanted to darken, I would use RU To lighten I would use Titanium white. For the greens, Chromium Green Light (CGL) + Raw Umber (RU) To lighten I would also use titanium white and quite possibly a yellow to help that warm glow. So let me just list the few paint colors I would use here: QM, CGL, RU, CS, Yellow, White. Like thatโs it! That is why this is so amazing. Using a limited color palette actually makes paintings MORE sophisticated. Does this surprise you? Itโs there anything that you would like more clarity on? How can I make you understand this better? In Premium - we will be going into these deeper. Choosing color is VERY VERY important.