Hi everyone! 👋 I've been diving deeper into AI music lately and I'm curious about something practical: how much do you all typically upload per day or per week? I want to keep growing steadily, but I'd love to avoid pushing too hard and accidentally tripping any spam/shutdown flags on platforms like YouTube, Spotify or DistroKid. If you've found a rhythm that works well for you (and hasn't caused any issues), I'd really appreciate hearing about it! 🙏 Thanks in advance, and hope everyone's releases are going well this week!

They been awesome anyone looking for an alt to distorkid, there $35 a year unlimited artist and albums i had one issues them where i needed show that i had rights all i did was upload my suno account showing i was sub and the rights it was taken care of and no editiorals, i can pick my own release date and all that no waiting two weeks to get an album out. so im happy with toolost, i have not yet got paid from them but when the time comes we shall see how that works.

I think this is great news! Excited to try it out when it launches.

I came across this post on Reddit, and I couldn’t agree more with the author’s frustration: https://www.reddit.com/r/SunoAI/comments/1wbofwh/bye_bye_suno_im_cancelling_my_subscription/ Suno’s newer models may offer cleaner production and higher technical fidelity, but for my workflow, something important has been lost. I haven’t been able to get results from V6 that sound as good, or as interesting, as what I could create with V5.5 and earlier models. The older versions had distinct strengths and quirks. They could produce genuinely surprising music, while V6 often sounds more generic and overly polished to my ears. I understand that Suno may face legal and financial concerns surrounding the data used to train its earlier models. It makes sense that the company would want future models to be trained using properly licensed material. What I don’t understand is why that must mean removing models that paying customers already had access to. Why couldn’t Suno preserve those older models while directing all future development and training toward V6? Even if the legacy models stopped receiving updates, leaving them available would allow creators to choose the model that works best for a particular song or workflow. Replacing several useful creative tools with a single newer model is not necessarily progress. Sometimes a model’s imperfections are part of what makes it creatively valuable. For users like me, removing that choice feels less like an upgrade and more like a major step backward. I hope Suno listens to the creators who relied on these models and finds a responsible way to bring them back.

V6 is live! Let's see how it sounds. Please share your first thoughts. Have to find the right prompts again it feels like. It's definitely different sounding.