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Owned by Mario

High End Sound for Music

35 members • Free

Developing a "state of the art" sound design and mixing can be truly challenging. We are here to fix that and share the cold secrets of audio mastery.

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Skoolers

191.3k members • Free

19 contributions to High End Sound for Music
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Live production!
Live production starting in one hour!!
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MIXING TIPS VOL 2
5 short tips for mixing melodic house: 1. Design contrast, not constant energy - Melodic house lives on tension vs release—let verses be lighter so drops feel earned, not just louder. 2. Treat reverb as a rhythmic element - Time your reverbs to the groove (pre-delay + decay synced to tempo) so space moves with the track. 3. Keep transients soft but intentional - Avoid sharp EDM-style attacks; gentle shaping keeps the sound warm, hypnotic, and non-fatiguing. 4. Balance emotion in the midrange - The story lives between 500 Hz–3 kHz—leads, vocals, and chords should feel present without ever shouting. 5. Check the mix at low volume often - If the melody, bass movement, and groove still read quietly, the mix will translate everywhere. There is more of them in classroom section!!
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MASTER FINAL EQ PRESET
Here is what a recent work for a high-mid profile artist, should look like - the track is peak time techno so its sounding slightly bright shelf just before clipping: and little boos on the sub
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MASTER FINAL EQ PRESET
MIXING TIPS VOL 1
Here are 5 short, high-impact tips for mixing melodic house, tuned for groove, emotion, and club translation: 1. Let the kick breathe - Carve a clean pocket in the bass (often 40–90 Hz) and keep side-chain musical—not extreme. The groove should pulse, not gasp. 2. Control mids before boosting highs - Tame low-mid buildup (200–500 Hz) first; clarity in melodic house comes more from removal than from adding top end. 3. Use stereo width selectively - Keep kick, bass, and lead mono-stable. Push width into pads, FX, and reverb returns to create depth without losing power. 4. Automate emotion, not just levels - Small filter, reverb, or saturation moves over 8–16 bars add life and narrative—static mixes feel dead in this genre. 5. Mix into a gentle bus vibe early - A light bus comp or saturation from the start helps decisions lock into a cohesive, warm, “finished” direction faster. More of them in the classroom section!!
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Mario Garcia
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37points to level up
@mario-garcia-6022
Top of the Game Music Engineer

Active 1d ago
Joined Oct 2, 2025