Happy July People! ------------------------------ What I'm sharing here today is the thing I wish I had when I first understood the importance of ICM and other context management practices in ensuring great AI performance: I have made an ICM-formatted auto-initialiser for Codex! It's called: `MJ-ICMAI-Codex`. Version 0.5, and my first real contribution to this community! Sections of this post: - A personal anecdote about who I am, what led me here, and why I made this (3~ min read) - Technical rundown and features of this project, and why you might want to try it for yourself. Personal anecdote: ------------------------------- If we haven't met yet, my name is Malcolm. My journey into using AI started with ignorance and distrust, as I inherited the blanket opinion that AI is a net negative and another blow to the music industry from my university. I studied Music Production & Sound Engineering in Bristol, U.K, and I had an absolute blast! I did session guitar work, multiple live performances including festivals, all different sorts of music production/recording/audio experiments, and met amazing people. I could not have had a better time, but with all that said, the opinion on AI was really negative. People automatically assumed that it would cripple the already-struggling industry even more, and was just another thing used to ruin our lives in one way or another. I cannot blame them for this perception. At the very least, generative AI used to undermine real musicians, artists, and producers threatens to fundamentally reshape the dynamics of the industry, as it does in other industries. I have since realized that taste, trust, and community as leverageable aspects of professionals/brands across all industries will rival IF NOT outweigh the impact of AI in these fields, but regardless; at the time I didn't much consider using AI myself, that's for sure. My perspective has changed alongside my growth and openness to life's lessons since I left university, as us graduates have been collectively dealing with maybe the hardest, most uncertain job market in recent history. Not to beat this dead horse any more than need be, but the music industry is especially skint, cut-throat, and scarce when it comes to graduate jobs. Despite leaving uni a year ago with a first-class honors, a self-produced album, and plenty of relevant extra-curricular experience including festival performances and studio work, I have had 0 luck of any kind (not even as much as an interview!) when applying for traditional industry roles, of which I have applied for dozens. Call me naïve, but it's a tough pill to swallow either way; these last few months I've been taking things into my own hands.