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Owned by Madison

I'm a nature artist, sharing ways to reconnect and collaborate with nature. We're making paint, nature journaling, herb and orchid walking, and more.

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87 contributions to Nature Connection | Wild Ozark
Add your links
Everyone - if you want to introduce yourself, start a new comment with your name in the title area and post it to the Introductions category. You're welcome to also leave links to your socials, web page, YouTube, etc. I'd like to follow all of you wherever you are, if you are okay with that. If you have a Skool course here, too, drop the link to that.
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Welcome Sarah Thyng
Please welcome Sarah to the community! She's an artist and grower/seller of plants. Sarah, please give everyone an introduction to yourself and tell us all what you'd like them to know about you and what you do/want to do? I'm glad you're here!
0 likes • 1h
@Allyssa Riley thanks for hopping in with your introduction, Allyssa! You should share your YouTube channel too. - but would you mind re-sharing your intro on a new thread in the Introductions tab (instead of a reply to an existing comment)? That way it'll be easier for anyone to find. Plus, some of the others might see it and be inclined to share their intro, too :)
Entering Shows
Are any of you currently submitting work to art shows/exhibits? I have entered a few this year after not entering any last year. So far nothing has been accepted, but at least not rejected yet either since the deadlines are just now approaching for all three shows. Here's the one I just entered to OPA's online spring showcase. I entered the old shed painting in the National Exhibition and if it manages to be accepted, I might be taking a trip to Steamboat Springs to attend the opening. Aside from loving Colorado, it would be exciting to make it into that show and I'd like to see it on the wall.
Entering Shows
1 like • 22h
@Christie Braswell and for art fairs, where you go and set up a tent to sell in person, I use www.zapplication.org. If it weren't for my husband, I would enter these more often and travel to shows. Some of these allow you to sell prints, notecards, other derivatives from your art, but not all. And some of these also can have really expensive booth fees, like the Crystal Bridges show. For that show they won't even allow artists to use grid panels in the booth but insist on propanels (which cost more and I don't have, so can't enter that show).
0 likes • 4h
@Sarah Thyng good luck! And keep us posted on how it goes! I'll update on my rejections/acceptances, too :) I'd love to see some of your work - want to share to the group? We have a 'Show Your Work' tab here :)
Washing pigments
I think I may have done something wrong when washing the first one. It was a pretty big rock and it crushed to powder easily. There was a lot left in the jar after the first pour. I think it still has a lot of useful pigment, and I think I will try washing that part again. I don't think I have a picture but I'll take one. It took the pigment a good while to settle. I waited 5 days before I poured the water off. I used smaller jars but not the tiny because it looked like there was a lot. Again it has taken a long time to settle, 6 days, but I think can pour it later today into the tiny jars to dry. It didn't make as much as I thought so I think a lot is still in that original jar. I've washed three different ones now. The #2 yellow has also taken a long time to settle. It's been a week and I think I will pour it later today too. The third one has settled quicker, 3 days today and it looks ready to pour. I am thinking maybe our soft water here may have something to do with it taking long to settle. I didn't want to try the alum solution yet. If I do try it, I was thinking I would start slow with just a half a dropper or less.
1 like • 1d
You didn't do anything wrong, that's how it works. But instead of just washing it again, put the powder back in to the mortar and grind some more. Then wash it again. I've found some rocks that give different shades of the color on the second or third grind, but most of the time the difference isn't significant enough to keep the final dried washed pigment separate. I just add them to the first jars collected. Yes go slow on the alum, but sometimes it only takes a few drops per jar to make it settle, not even a whole or half dropper. At some point you'll find that you're not getting any more color in your washing, and that means you've gotten all you can get with the mortar and pestle grinding. Without a heavier machine, that sand can be kept for making sand paintings in bottles or put onto the surface of potted plant soil, or just returned to the earth.
Pigment sources
Note: for those of you who don't have suitable rocks or want to skip the labor... you can buy pigment ready to make into paint. I have some Ozark pigments and rocks at my shop (https://shop.wildozark.com), but also EarthPigments.com has a tremendous selection of synthetic and natural pigments to choose from. I order my titanium and primary yellow, green, and blue from here and can recommend them. If you're taking my course, the technique for making the paint using purchased pigments would be the same as using the washed pigments you learn how to make in my course.
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Madison Woods
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@madison-woods-6762
Artist & collaborator with Nature. Talks to trees. Wanders around out in the woods looking at plants. Taking note of things I'd like to paint one day.

Active 4m ago
Joined Dec 12, 2025
INTJ
Kingston, AR
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