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Owned by Luke

The Lost Futures

25 members • Free

The Lost Futures is a groundbreaking hybrid art / music / film / learning project. Pushing the boundaries of visu-design, film, sound and music + more

Memberships

24 contributions to The Lost Futures
Intro to AI course
https://store.training.tafensw.edu.au/product/introduction-to-artificial-intelligence/ Hi everyone If you are completely in the dark about AI I recommend this course. I’ve just started it and so far so good. Very easy to read through with no assumed knowledge required. And it’s free
0 likes • Apr 8
This looks great! Thanks for sharing Amy
New series: Conditional Variables - how was it made?
Hi all I have a new three part set i've just finished called 'Conditional Variables'. These works are to be launched on the Sedition platform in the next few weeks. Here's an unlisted preview before it goes out, keeping it under-wraps of sorts until the product launches. https://www.youtube.com/watch?v=qKlTeGFMafw https://www.seditionart.com/ I'll open it up for discussion - how do you think I made this?
0 likes • Apr 1
@Yana Almazova Hey thanks Yana!! Good guess! Much simpler than that. I develop a single keyframe in Flux which is what I call the 'base plate', this creates a form of 'structural adherance' that the machine then works around. then I import it into Open Art and create a series of different stylised versions (around 50). Once I have around 50 key frames I then bring them into Luma and bridge them together with motion morphing. Then I stich them all together in DaVinci resolve. Then I compose an ambient soundtrack, and then its done!
1 like • Apr 2
@Yana Almazova I dont have the compute to do automatic just yet, but in time. For the moment this is getting work up and out and i've found a bit of a groove. So yeah i prompt and stylize each frame to give it a sort of contrasty morph thing
First animation
My first attempt using Luma dream machine. My own music
2 likes • Apr 1
@Amy Morrison I think ill do a custom post about this very element tomorrow. It's very much a thing that A.I creators need to face and it's an incredibly new and weird thing to deal with. Part of the learning around doing synthographic work - at this stage anyway - is that there takes a certain level of robustness to deal with the vitriol. This robustness can be developed, and I think there are key points we can talk to in the creative arena.
0 likes • Apr 1
Congraultations on taking the plunge! Looking good :)
Welcome to The Lost Futures
G'day! I'm Luke Burton, founder of The Lost Futures, and welcome to my Skool page. I am an artist, composer, filmmaker and director/producer with 25 years experience in cross discipline. In my 'corpo' life, I have worked directly with Google, Kathmandu, Suntory, Nat Geo, Lonely Planet, World Nomads and many others across countless campaigns. In my 'underground' life I have been an artist and performer for many years and have done shows at Dark Mofo festival and countless shows across Australia. I currently do work with Awesome Soundwave, the live techno label owned by Carl Cox and Christopher Coe. The Lost Futures is my current, on-going art/film/music project but I am also using it as a vehicle to help educate, inspire and lead by example by showing my processes across all disciplines in real time. ---- Here, we’re diving into the deep end of creative chaos, from the wild techy stuff to the raw, real principles that keep it all grounded. Here’s what I’ll be serving up and a little about me: 🎨 Synthographic art My workflows and how to craft my signature Cyberdelic Hyperloops. Right now I reckon AI and its employment is some of the craziest shit you can imagine. It's controversial, everyone has an opinion, but I know one thing is for sure. There's no way I could make any of the work I do right now *without* AI. The process of psychologically interfacing with the machine system is part of the art in my view, and ill be going into great detail on this topic, and most importantly, show you how I make it all. 🎶 Sound wizardry Composition, synthesis, sound design, and all the sonic insanity you could imagine. Here I will be doing all kinds of breakdowns across the compositional processs - I am largely electronic but a lot of the principles apply to any genre. From gear tutorials to synthesis insights through to developing music language and the importance of building a musical pallete to draw from. 🎬 Editing & filmmaking Especially doco-making because real stories hit different.
1 like • Mar 9
@Peter Strong Welcome Peter! This is a good challenge to find, I have not done this particular kind of work - ill do a bit of a hunt around and see what I can find. I like to keep these things within the Skool community because then everyone else can learn from the findings and it keeps it to a centralised and searchable location. Meta is a clusterfuck that's all over the shop, but Skool is really clean and great for resourcing on projects.
0 likes • Mar 31
@Peter Strong yeah there are so many apps and programs and they all do wildly different things, its super hard to pinpoint sometimes how things are made exactly, and that's kind of the fun of it
🚀 THE CYBERDELIC HYPERLOOP COURSE IS LIVE! 🚀
The full workflow is here. Everything you need to create mind-bending, AI-driven visuals. 🌀 Frame creation with Flux, Open Art and ChatGPT 4o 🎞️ Short-form animation with Luma 🎥 Camera movement engineering & editing in DaVinci Resolve 🔊 Custom sound design & AI model training 💰 Client acquisition strategies + a referral package to get paid while learning This is the fastest way to level up your AI art and visual storytelling. 🔥 JOIN NOW → Go to our classroom in here 🔥
0 likes • Mar 13
@Subpixel Spxl Absolutely, I go into more detail in the videos but basically I can produce a Cyberdelic Hyperloop easily with about $30 credit into various systems. That's the bench mark I hit, but you can set your own - and there are so many tools out there are free. I will provide a list of free tools that people can use, and a range of resources as well.
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Luke Burton
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@luke-burton-9564
Artist/composer/educator in cutting edge visual design, film, music, editing and creative discipline. 25 yr xp Google, Nat Geo, Suntory + many more

Active 58d ago
Joined Nov 19, 2024
ESFP
Sydney, Australia