Activity
Mon
Wed
Fri
Sun
May
Jun
Jul
Aug
Sep
Oct
Nov
Dec
Jan
Feb
Mar
Apr
What is this?
Less
More

Owned by Luke

The Lost Futures

26 members • $9/month

We are a GenAi creative studio leading the field with collabs with Crocs, Lenovo, AMD + more. Learn our processes and master the GenAi revolution!

Memberships

25 contributions to The Lost Futures
Cyberdelic Hyperloops - Full Course with Lenovo! (FREE)
Hello to all of the OGs here. I have done an updated version of the Cyberdelic Hyperloops course in conjunction with Lenovo and its live now! https://www.lenovo.com/creator/the-lost-futures It will take you about two hours, so it's not a huge time commitment - but it will be a great introduction to the program known as WEAVY www.weavy.ai I use basically all my workflow through Weavy now, and I encourage you to too! --- Lenovo and The Lost Futures have joined forces in GenAi education and I am super happy to share my FREE new course - how I make my signature 'Cyberdelic Hyperloops' We hit 150 million views last year with these babies and you can now start to make your own. Using the fantastic Weavy platform, I show you how to generate keyframes, animation and motion, editing, sound design and music direction, and how to get the final polish. GenAi is a bit of a bonkers setup right now, but if you follow along this course and apply what I am teaching, you'll be able to pull together your own hyperloop and share with the world. It's about two hours in total, and will give you all the fundamentals you need to start creating. If you ever have any questions - hit me up and i'll always be happy to answer. An absolute joy to put this together with the brilliant teams at Lenovo, and SUPERHEROES NYC.
Revamping Lost Futures Skool + Free membership for OGs
Hello everyone! It has been a while - and a lot has taken place with the Lost Futures! In 2025 We did 150 million views for our campaigns with Crocs, Lenovo, AMD and Cadbury and ALL of it was made in GenAi. Right now, the GenAI world has exploded with all kinds of new models and the quality has increased dramatically! I am about to release in conjunction with Lenovo an AI Art school where I show some processes for developing my work - but it's only the tip of the iceberg really. There's a lot of thirst right now for quality education, and to be honest, a lot of dodgy operators in the market who have very little interest other than making money and providing the lowest quality education. The low quality education comes from the fact that they have only been in the space for a year tops, and don't have any real knowledge of filmmaking, pacing, shot structure, sound design, visual design, story and editing. The real education lies in all of those traditional skills, and also the understanding how to use the tools in all applications - not just generating cool pictures, that are essentially a cardboard cutout. All style, no substance. We want to teach DEPTH. For the 26 members of this group I have some good news for you. This page is about to be converted into a membership site, and new entrants will be charged a small monthly fee. However, for you folks. You are my absolute OGs - The Lost Futures page Skool page will be free for you, for all eternity. Enjoy :)
Intro to AI course
https://store.training.tafensw.edu.au/product/introduction-to-artificial-intelligence/ Hi everyone If you are completely in the dark about AI I recommend this course. I’ve just started it and so far so good. Very easy to read through with no assumed knowledge required. And it’s free
0 likes • Apr '25
This looks great! Thanks for sharing Amy
New series: Conditional Variables - how was it made?
Hi all I have a new three part set i've just finished called 'Conditional Variables'. These works are to be launched on the Sedition platform in the next few weeks. Here's an unlisted preview before it goes out, keeping it under-wraps of sorts until the product launches. https://www.youtube.com/watch?v=qKlTeGFMafw https://www.seditionart.com/ I'll open it up for discussion - how do you think I made this?
0 likes • Apr '25
@Yana Almazova Hey thanks Yana!! Good guess! Much simpler than that. I develop a single keyframe in Flux which is what I call the 'base plate', this creates a form of 'structural adherance' that the machine then works around. then I import it into Open Art and create a series of different stylised versions (around 50). Once I have around 50 key frames I then bring them into Luma and bridge them together with motion morphing. Then I stich them all together in DaVinci resolve. Then I compose an ambient soundtrack, and then its done!
1 like • Apr '25
@Yana Almazova I dont have the compute to do automatic just yet, but in time. For the moment this is getting work up and out and i've found a bit of a groove. So yeah i prompt and stylize each frame to give it a sort of contrasty morph thing
First animation
My first attempt using Luma dream machine. My own music
2 likes • Apr '25
@Amy Morrison I think ill do a custom post about this very element tomorrow. It's very much a thing that A.I creators need to face and it's an incredibly new and weird thing to deal with. Part of the learning around doing synthographic work - at this stage anyway - is that there takes a certain level of robustness to deal with the vitriol. This robustness can be developed, and I think there are key points we can talk to in the creative arena.
0 likes • Apr '25
Congraultations on taking the plunge! Looking good :)
1-10 of 25
Luke Burton
4
87points to level up
@luke-burton-9564
Artist/composer/educator in cutting edge visual design, film, music, editing and creative discipline. 25 yr xp Google, Nat Geo, Suntory + many more

Active 17d ago
Joined Nov 19, 2024
ESFP
Sydney, Australia