I'm sorry I haven't been on here in a few days, I've been struggling with how to prepare my "practice Promo"; I tried using Facepaint the other day, but I couldn't get in Character. so, for my next Promo video, I'll be introducing my character by sharing a story about something that aggravates me about today's Wrestling and it's going to be done in a way that lets y'all know this isn't Daniel Veillon, it's Asher Daniel.

Curious about who/what everyone here goes to when it comes to studying for pro wrestling? Are you studying the aspects of the profession itself? Or other arts outside to introduce into the wrestling scene?

A lot of people think pro wrestling commentary is just calling moves. It’s not. Commentary teaches the audience how to react. It tells people what matters. It adds emotion. It builds tension. It helps moments feel bigger. It helps talent connect with the crowd. Good commentary can make a moment feel important. Bad commentary can make a great moment feel flat. That’s why timing matters. Tone matters. Energy matters. And sometimes, silence matters too. A commentator is part of the storytelling process. Not the star of it. If you want to become better at pro wrestling commentary, stop focusing only on talking. Start focusing on making people feel something. That’s the real job. For the journalistic professionals out there, what has been the toughest aspect of mastering commentary, in your opinion? Poll Question: What's your personal opinion on the difficulty of commentary?

I feel like singles competition would be to put a match together because in tag team seems like you have so many other components that you have to see? So take last night on Raw The Judgement Day vs Brie & Paige, you had so many different part that you have to put together. So put that match together would be difficult. Which brings me to another question, do you have producers on the Indies to help put the match together?

If you’ve been in pro wrestling long enough, you’ve probably seen it happen. A wrestler who may not be the most athletic. Not the flashiest. Not the most naturally gifted. Yet they keep getting booked over “better” talent. Why? Because promoters are not just booking moves. They’re booking reliability. They’re booking professionalism. They’re booking people who make their lives easier. In this video I break down: • Why communication matters in wrestling • Why being easy to work with matters • Why professionalism beats ego • Why reliability gets repeat bookings • Why drama can quietly kill opportunities A lot of wrestlers believe talent alone should carry them. But talent is only part of the equation. Professional wrestling is a business. And promoters remember the people who help the show run smoothly. Talent gets you booked once. Professionalism gets you booked again. https://youtu.be/QGHGQJiiPAU