Greetings everyone!! Are there any suggestions on books or videos on how to properly sync music using timecode. It's something I really would like to dig deep into. I use protools for the most part whenever i get visuals but If you don't mind sharing what are some DAWs I can test out or use for working with timecode? Also any suggestions on reading material or videos would help. Thanks!!

I’m fortunate to spend my time, amongst other things, teaching workshops, running one-on-one coaching, and working directly with creators who want to grow in visual media. PTN EA - is my way of bringing that same experience to a wider circle - my communities - in a way that’s structured, ongoing, and built to last. Every course here is designed to pull back the curtain on how music really works in picture - from concept to delivery - and give you tools you can apply to your own work immediately. ---- JUST in case you are new here, you can find a bit more about ME HERE <--------- -- We will start to run two tiers side-by-side: Pulse Tier (Free) Your open-access starting point. Core lessons, examples, and exercises you can use right away. A clear view of the process, the concepts, and the mindset that drive successful work in visual media. Broadcast Tier (Premium) Coming soon For serious creators ready to level up. Broadcast takes the same topics you see in Pulse and goes in-depth: full creative workflows, real briefs, case studies, feedback loops, and live working sessions. A mix of academia and industry experience, aimed at preparing you to work at a professional level. When Broadcast launches, every new course will drop in both tiers at the same time -- Pulse for the essentials, -- Broadcast for the complete system. --- Visual Media 101 — Pulse vs Broadcast (What’s the difference, why it exists, and how to try both) --- Both modules are live now: - PULSE - BROADCAST (Preview) While we’re building Broadcast, you can preview it here through selected modules and lessons. Think of it as a window into the deeper training, collaborations, and project opportunities that will roll out in the premium tier.

@Gilde Flores reminded me of something I kind of let slip away in my music production journey. When creating music, especially for TV, there's a certain way to produce that meets the expectations of major companies—they have their style and sound preferences. But amidst all the technicalities and guidelines, it's crucial not to forget the parts that truly "hug" the sonic spectrum. These elements bring warmth, fullness, and a sense of belonging to the music—reminding us that at the core of production, it's about emotionally connecting with the listener and bringing the sound home. Never lose sight of that balance between professionalism and the soulful touch that makes music resonate. Hope this reminds and helps anyone else on their journey.

I'm all for advancements in technology especially when it saves us times and allows us to be more productive. A.I. i have a immense interest in and have been digging in slowly over the years. Im curious to know what A.I. tools everyone is using for music production / workflow / social media etc. I want to continue learing and implementing A.I. where i can.

Sync Licensing is shifting toward emotional texture, grit, and indie-feeling authenticity - and it’s happening quietly, right under the radar of creators still chasing sterile perfection. - 📍 1. CONTEXT / INDUSTRY SHIFT There’s a quiet but powerful shift happening in sync licensing - and most creators won’t see it coming. The industry is moving away from sterile, ultra-clean “TV music” toward music that feels textured, emotional, and imperfect. Not sloppy - human. Supervisors are choosing cues that carry tone, editorial friction, and story residue over clean loops and polished beds. More briefs are asking for words like: • organic• gritty• editorial• honest• raw with control• emotional resolve• hand-played imperfections• textural arc This isn’t just a few music sups having a moment. It’s systemic. From docuseries to prestige trailers, the new currency is emotional realism, not just syncable catchiness. - 📂 2. CASE FOCUS / BREAKDOWN Here’s what this looks like in real time: • HTLYM Premium, MusicBed, and Artlist are pushing playlists like “Cinematic Textures,” “Broken Hope,” and “Human Condition” - emotion-first, not genre-first. • A recent trailer brief from a major streamer said:“Indie track that feels lived-in. No quantized drums. Character in the timing. Resolve that doesn’t feel composed.” • An episodic spot for a crime series (via one of our partners) passed on a clean, ambient cue - and chose a cell phone voice memo demo that had grain, tension, and emotional fingerprints. This is not the exception anymore. - 📈 3. STRATEGY OR BUSINESS PRINCIPLE Music is now functioning as character, not background. When supervisors drop a cue in, it’s not just filling space - it’s voicing something that can’t be said out loud. The winning cues don’t try to be perfect. They serve the emotional editorial arc. Clean doesn’t mean clear. Perfect doesn’t mean powerful. Your mix must carry the tone, not just check technical boxes. And the new edge goes to creators who understand emotional intent - and design music like a story, not just a soundbed.