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Marc's Jazz Guitar Academy

148 members • $99/m

43 contributions to Marc's Jazz Guitar Academy
Welcome Eugénio
Please give a warm Jazz Guitar Accelerator welcome to @Eugénio Almeida, living in Germany (from Portugal) 🎸
Welcome Eugénio
0 likes • 29d
Welcome Eugenio, this is a great community.
First attempt at using Pat Martino exercises
Back from from longish illness. Experimenting with Pat Martino and Rhythm changes (activity #1) https://youtu.be/WF8hl2Jbgkw
1 like • 29d
Thanks Chad, what's a good .modal tune to start with?
0 likes • 29d
@Mentor Bob Kinney Thanks Bob, I gave put ten minutes of Pat Martino exercises into my daily practise to get it properly under my fingers.
Pat Martino and Rhythm changes A section
https://youtu.be/O7PzbSNQ1uM The other way round this time. I am just using 4 bars of Exercise 1and trying to make it "fit" into rhythm changes
Pat Martino minor conversion method
I have been laid up in hospital and been reading about this method. Does anyone have any knowldge/opinions about it?
2 likes • May 12
@Mentor Bob Kinney Good one Bob.. I got the Pat Martino book today and though, as you say, there is no tab in it, it does have string numbers under the notation so it is pretty accessible as well as being a good way to improve sight reading. I just have to make sure I don't go down the rabbit hole rather than sticking with my target standards for the course
1 like • May 22
Hi @Mentor Bob Kinney , I have started learning thosw Martino positions and patterns. Right now I am working on Oleo I find that if I alternate the Martino lines (using just 4 bars) with lines I already know it is easier to learn them and sort of works out as his patterns are g minor = b flat. I would certainly be grateful for any pointers bw John
Building personal vocabulary through the Idiomatic Cell Approach
Hey everyone, hope you’re doing well. Lately, I’ve been sharing some thoughts on how to build your own phrasing using pre-existing material — lines, phrases, and licks you’ve learned from other players — and how to transform those ideas into something that feels truly your own. I thought it might be helpful to show how this process actually looks in practice, at least how I’ve been approaching it in my daily sessions. So I decided to record two segments from my study session today. I literally just hit record and practiced, capturing the full time blocks exactly as they happened. This is part of what I call the Idiomatic Cell Approach, a framework I use to assimilate and internalize external material until it becomes part of my natural vocabulary. In this case, I’m working with a line from Pat Martino’s Linear Expressions book, but the same process can be applied to simpler material too — for example, the 3-note lines we use to approach the thirds of the chords that we worked on in lesson 4 with the Bullseye Method. - The first video shows a 5-minute assimilation block, where I work through each idiomatic cell individually and then combine them. - The second video is a 5-minute call-and-response block, where I use those cells as **Conversation Starters** for short improvisations. You don’t need to watch the full blocks, but I thought it could be useful to show what this process looks like in real time. I hope it gives you some ideas for developing your own vocabulary with whatever material you’re working on. As always, feedback is welcome — I’d love to hear what you think.
Building personal vocabulary through the Idiomatic Cell Approach
2 likes • May 10
Coming to this late in the day Gabriel it's awesome! I am starting with very sawn down and slower first steps, such as applying the idea of using all four possibilities while playing a dominant seventh.
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John Bayley
5
215 points to level up
@john-bayley-6094
aged life long guitarist

Active 12d ago
Joined Jun 24, 2025
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