Recently delivered Donks (Klubbheads) and Sandy Organ (Make The World Go Round). We already had the House Organ (Korg M1) and Elec Organ (CZ-1000), plus the classic Tx81z bass patches (Solid, Lately). I've always wanted to try Android by The Prodigy... What next? What else? 🤔

You know how those old sample cd's have long audio tracks containing hundreds of individual samples separated by short periods of silence. I'm looking for a way to batch split these tracks into individual WAV files automatically, rather than editing them by hand. Has anyone had any success with automating this process?

Apologies for the short notice, I'm stuck in A&E with one of the kids. Nothing they can't sort, but they've warned we won't be able to leave for at least a few hours. I've made next week's session 2 hours to compensate! 👏 Sunday still going ahead of course! 🫡

https://drive.google.com/file/d/14dS8_btSSnrjj2_rZ9xMQdY0vZfLuOrG/view?usp=drive_link This is very much sketch arrangement wise without any proper 'drop' and kind of a collection of breakdowns and buildups. I guess it would or could be another trancy neo speed garage bit that you all may come to know me for. Its something I wrote (and will obviously need the generous agreement of the vocal sample compositon writers to authorise this heavy vocal use interpolation) as a result of a very complex loss of someone to suicide, and as I said to Owen before being invited here - the closest I've ever come to the eternal motivation of turning love into an audio signal. The 'The way I feel about you' going up the scale computer voice sounding harmony parts are literally just demo using Kontakt legato pitch shift, that my minds eye wrote as to be tracked with original vocal recording stacks resembling an enermous choir. The compositional/arrangement technique of half timing a chord progression as happens later in the arrangement, may be noteable as a handy technique. Not sure I've ever done that in a tune before, seems obvious now. Would love to hear all your thoughts from all angles particualrly as to stylistic direction shoudl take it, but most of all your deepest implicit emotions on first or later listens as is.

I was just thinking about a conversation with @Jack Dugan in his latest Members' Music thread regarding density when it comes to delicate high frequency drum elements (e.g. shakers, hats) and my brain just started glitching... 🧠 If you clip narrow-band material for density, it will soon give way to IMD (broad-frequency material is less susceptible to undesirable IMD artefacts). 🤓 So what if we were to match such a sound to white noise FIRST (virtually impervious to clipping IMD), and then mix that in with the dry signal in parallel? 🤔 Furthermore... What if we could use a brown-matched sample instead of the dry signal? 😍 So many options and combos to try... Sounds like a total nightmare for mixing workflow, but could work wonders for sound design, if it's effective. I simply must test this idea. Writing this right here right now so I remember to do the tests. 🙌