I would love to start pitching my own music to people. How would I approach someone about this kind of music. Should I be working on something a bit more upbeat. Also asking for feedback on the song if possible! Thank you!

So we are pivoting from the trailer world and stepping into something interesting. BRIEF OVERVIEW Following last month’s Trailer Night with special guest Brandon Lau, we are shifting lanes entirely this month. This Brief Room focuses on restraint, emotional pacing, dialogue support, and cinematic storytelling built for streaming drama and prestige television. This is not about giant impacts or trailer drops. This is about emotional control. AND TO MODEL REAL WORLD TIME GAPS - The 2 weeks of creation time is Ideal, and plenty of more time than we often get when we get an opportunity! SO EXTRA PRESSURE TESTING IS NICE.. and WILL RAMP UP as we get better!! - PROJECT: “THE PHONE CALL” FORMAT: Streaming Drama Series TYPE: Emotional Underscore / Prestige TV SCENE CONTEXT A character receives a late-night phone call that changes the direction of their life. The audience does not yet know if the news is: • devastating • hopeful • dangerous • life-changing SO: The cue should support uncertainty while evolving emotionally over time. The music must feel connected to picture and respectful to dialogue. CREATIVE TARGET Along with the info above, we are also looking for cues that will also support the show. So cues that feel: • cinematic • human • restrained • emotionally intelligent • modern • visually supportive Think:• HBO• Netflix Drama• A24• Slow emotional reveals• Internal conflict• Quiet tension AVOID Please avoid:• trailer impacts• giant drums• EDM structures• overly busy melodies• excessive layering• hard transitions• cues that overpower dialogue The cue should feel like it belongs underneath a scene, not in front of it. STRUCTURE NOTES Your cue should include:• a clear emotional beginning• development over time• breathing room• dynamic movement• a purposeful ending or sting Even subtle evolution matters. -- ******* YOU WILL FIND THE BRIEF ATTACHED TO THIS POST **** ----- - CATEGORY OPTIONS Choose ONE category for your submission: • Emotional

PTN Live Listening Session. Hosted by @Nate Michalic and @Gilde Flores - Focused on music for visual media, film, TV, trailers, and branded content. Submit purpose-driven cues built for picture. Email Submissions at: [email protected] by 12 pm (CST) Tomorrow. We go live @ 7pm - 8 pm (central/cst) LINK goes LIVE @ 7pm (cst) - JOIN US HERE BRING IT!

Hey is there a video on Briefs and pitching your stuff. Some examples on how the process works would be very helpful and I won’t be so nervous!

We’re opening up the first Brief Room session. This one is focused on trailer music. Wednesday, April 15th @ 7pm - 8:30pm (Link coming soon) This is where your ability to read direction, respond to it, and deliver with intent gets tested in real time. We listen together, break it down, and react through one lens: Does it serve the brief, while still making it yours. GUEST HOST We’re welcoming our first guest host, trailer composer @Brandon Lau whose work includes Scream, Destiny 2, and Arcane, along with campaigns for titles like League of Legends and Call of Duty. He’ll be running the session alongside PTN's @Nate Michalic and @Gilde Flores , listening, giving feedback, and breaking down what’s working, what’s not, and how to push it further. This is direct insight from someone actively creating at a high level in this space. WHAT WE’RE LISTENING FOR StructureHooksExecution within the genre If it hits, we elevate it.If it misses, we fix it. If you’re into trailer music, or want to sharpen your approach, this is where you do it. Submit your work. Show up. Be in the room. You don’t know where this leads. INSTRUCTIONS TO DOWNLOAD + STEP IN Download the attached briefs. Pick your lane and commit. This is where you read direction, respond, and deliver. NO REFERENCES PROVIDED Part of this process is learning how to find your own direction. In the real world, some briefs come with references, and some don’t. This is one of those moments where you get to develop that skill. If you need guidance, take the time to explore what fits. Listen, study, and understand why something works. If you already have a clear instinct, trust it and build from there. Either way, the goal is the same, create something that serves the brief with intention. Have at it!!!! SUBMIT [email protected] Taking submissions up until - Tuesday, April 14th, cutoff at 7pm CST -