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Learning Jazz Violin

815 members • Free

3 contributions to Learning Jazz Violin
Practicing Boplicity
Hi guys, today I practiced the tune Boplicity, my goal was to take the lick from the B section and try to apply it to the different dominants and then maybe get a little creative with it.
Practicing Boplicity
0 likes • 10h
@Matt Holborn It's pretty fun! I also used the same lick walking it down the wholetone scale for a warmup.
"Difficult" Keys
This is something that comes up a lot for me. Some keys are easier to play, some keys are easier to think about. Often these two things have some correlation when it comes to the violin. I don't like playing in B major, because I find it hard for my brain to compute the notes, especially when there are chords that don't come from the B major scale. The vi7 for example would often be a G#7b9. Playing over this effectively is harder to think about than it is in Bb, because of the amount of sharps involved. However, B major feels pretty nice under the fingers for the violin. I think it's one of the keys where it's harder to think about than it is to actually play. This has been going through my head for years as a jazz violinist. Some people might ask "why spend so much time on a key like this if you hardly ever play tunes in B?" Well, if you want to play with singers, you might have to, for one. They often need tunes in different keys for their range, and it's nice to be ready for that. Secondly, it may not be the case that you'll play in B that often, but there will be moments within tunes where the harmony rests here for a bit. If you aren't comfortable in B at all, your solo will sound disjointed and your playing won't sound consistent. Lastly, learning to play in all keys helps solidify concepts into your brain. If you can take a simple melody through all keys, you really know it, and it's more likely to become part of your musical vocabulary. Otherwise you might just see certain lines as things that work over a certain chord in a certain key. That's fine sometimes, some stuff just works well in certain places on the instrument, but really we should strive for a distinctive sound in our playing that's consistent. It doesn't feel right to sound completely different in every key you play in. Just some thoughts... Is there a key that trips you up the most? Is it because of your thought process, or because of the technical problems you have with it?
1 like • 15h
Interesting I've never had a particular problem with B, how do you think about it on D and G strings do you play it in half position or in first? Zach Brock once showed me he uses half position for the lower 2 strings and first for the upper 2, but i just use first position all over and for the G# (on G string) i just extend my finger back.
2 likes • 10h
@Zeke Elkins I've thought a lot about this recently. But for me as a classical musician i have it baked in my mind which note is where so its very hard to think of A major in 1st position and B major in second position the same way. I think i need to experiment a little with this concept. @Matt Holborn Have you trying thinking in this way on the violin?
How to use this community
How to use this community 1. INTRODUCE YOURSELF Copy this format and comment below: - your name - where you're from - your musical background - what you're trying to achieve in your playing 2. START LEARNING If you are new to jazz, take my "5 Days To Improv" challenge. Its a free course that helps you make your first steps into jazz improv. Learning the ropes and delving into how a jazz musician thinks, practises and plays. If you really want to progress, you can get hold of the larger paid courses in there too "Jazz Violin Fundamentals", "10 Tunes You Must Know", "46 Lines", "Mastering Chromatics" 3. KEEP A PRACTISE DIARY Head over to the pinned Practise Diaries thread and drop your first check-in. It could be something from a 1-1, something from Practice Club, or just whatever you're working on that day. It's the easiest way to keep showing up in here, and every like you get on a check-in is a point towards levelling up and unlocking more of the material. BONUS There's a poll below this post. Let me know what you're most interested in improving in your playing, it helps me shape the material in here
Poll
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How to use this community
4 likes • 4d
Hi folks, my name's Ioan (with i not l, i'm not associated to any bank 😂). I'm from Bulgaria, I've been playing violin since i was 4 y/o. I'm classically trained and have a masters degree. I was working in the Bulgarian National Radio orchestra, but realised that working as a classical musician in Bulgaria isn't well rewarded, so i decided to switch professions. Since then i've been playing jazz music and been gigging in Bulgaria. I have some original music that i'll record soon. My biggest hero is Zbigniew Seifert. I'm trying to get better and express myself - I no longer do music for the money which is very freeing.
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Ioan Latrovaliev
2
11 points to level up
@ioan-latrovaliev-6684
Hi there, I'm a classically trained violinist that started playing jazz since 2021.

Active 6h ago
Joined Aug 2, 2026
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