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4 contributions to The Art of Seeing Photography
Structure, Pattern vs. Mood, Complexity
I've been trying to move beyond simply photographing attractive subjects and become more intentional about what draws my attention. These two photographs were made in the same lily pond but reflect very different approaches. One emphasizes structure, pattern, and a clear focal point. The other is more about mood, complexity, and the relationship between beauty, decay, and the surrounding environment. I'm interested in which image you find more engaging and why. Does one hold your attention longer? What works, and what doesn't?
Structure, Pattern vs. Mood, Complexity
0 likes • 1d
@Bob Fischer Bob, thanks for the thoughtful response. Looking at your edits and reading your comments has helped me better understand not only your approach, but my own. I think we may begin from different places. When I make a photograph, I usually don’t start with a clear meaning or message in mind. More often, something simply attracts me. It may be a feeling, a moment, a relationship, a sense of beauty, or even something I can’t quite explain. As an observer, I often feel compelled to capture it before I fully understand why it caught my attention. In the lily pond scene, I was drawn to the flower holding on amidst the aging and decay around it. I was also seeing beauty in the aging leaves themselves. At the time, I wasn’t consciously thinking about mortality, resilience, or symbolism. I was responding more emotionally than intellectually to the scene. Often the meaning comes later. Sometimes after looking at a photograph for a long time, or hearing how others respond to it, I begin to understand what may have attracted me in the first place. That’s one reason I’ve enjoyed this discussion so much. Your interpretation, and those of others, helped me see possibilities and meanings that I hadn’t consciously considered when I pressed the shutter. I was particularly struck by your distinction between capturing and creating. My instinct is usually to witness first and understand later. In many ways, I think I’m less a photographer of conclusions than a photographer of curiosities. Something catches my attention, I follow that curiosity, and only later begin asking what it might mean. Lately I’ve been trying to become more intentional, not by starting with a message, but by becoming more aware of what repeatedly attracts my attention and what that might reveal about the way I see the world. I appreciate you taking the time to engage so deeply with the image. It’s given me a lot to think about
1 like • 1d
. I’m an observer A Quiet Witness. You are more of an interpreter. A Visual Poet
365 days with my Tree
I have set myself a year long assignment. For two reasons, to develop a habit that is easy for me to implement: to take a photo a day. Second, to learn. I will go out at times and take other photos, but this is really just for my self learning. The Weeping Cherry is in my front yard and is an achievable goal. I'm also making detailed notes in a file on each photo and its settings. I won't post everyday, as that will be very boring, but wanted some feedback and opinions. Here's this morning's 2 images. On Auto as that is the baseline that I will begin from. It was interesting that even though these two images were only seconds apart, there is a difference in Aperture and ISO. Terrible photo I know, but we all start somewhere. I will keep reading..... 1. Mode - Auto, Shutter Speed - 1/125, Aperture - F5.6, ISO - 140, Focal Length - 29mm, Exposure Comp/Metering - 0.0, Colour Space - sRGB, ImageSize 3872 x 2592 1. Mode - Auto, Shutter Speed - 1/125, Aperture - F4.6, ISO - 140, Focal Length - 29mm, Exposure Comp/Metering - 0.0, Colour Space - sRGB, ImageSize 3872 x 2592
365 days with my Tree
1 like • 3d
Bryan Peterson’s book “Understanding Exposure” was very helpful.
Amazon Chicago Paris Marseille
Heretofore Albeit Hirsuite etc et al blah blah blah
Amazon Chicago Paris Marseille
1 like • 3d
Nice st Bob. I think my favorite is the 4th . Reminds me in the front two well dressed tourists with expensive gear and faceless. Background, a little boy local, partially hidden peering out, with a bemused expression, perfect. Third very colorful and expressive. Always enjoy your work.
WELCOME to The Art of seeing Community! Start Here. 🎓
Glad you are here! :) How to get the most out of your time here: 1. Introduce yourself (Your first assignment): Comment below and tell us: - Who are you and where are you from? - What is your favorite camera at the moment? 📸 2. Check the "Classroom": You can already download the "Starter Kit" PDF. The video modules will unlock throughout January. 3. Check the Calendar: Look at the "Calendar" tab to see the schedule for our upcoming Live Coaching Calls. We didn’t build a lecture hall for passive listeners. We built an arena for creators. Be active, give feedback, ask questions. Let’s go – introduce yourself below! 👇 I also made a little overview video, of you are new to the skool platform.
WELCOME to The Art of seeing Community! Start Here. 🎓
2 likes • 4d
Hi, I’m Gary from the Central Coast of CA. I currently shoot with a Sony a6700, primarily using the Sony 16–55 and Sony Zeiss 24mm lenses. I also carry a Sony RX100 VII, as a compact walk-around camera. I enjoy photographing landscapes, architecture, candid moments, and everyday scenes that catch my attention. Lately I’ve been trying to move beyond simply finding interesting subjects and work toward more intentional seeing.
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Gary Lewis
2
10points to level up
@gary-lewis-3945
I’m Gary. I live on the CA Central Coast. I’m looking forward to becoming more thoughtful about how I see, shoot, and edit.

Active 3m ago
Joined May 25, 2026