Today @ 7pm - 8:30pm CST https://us06web.zoom.us/j/89768130743 The first Brief Room is live. This is where your ability to read direction, respond, and deliver gets tested and sharpened. Trailer-focused. Structure, hooks, execution. Welcoming guest host @Brandon Lau , trailer composer, alongside @Nate Michalic & @Gilde Flores Submit: [email protected]

Is anyone going to the Sync Spotlight Conference onference in Atlanta this weekend? Would be happy to connect!

As a reminder... ⏭️ We’re opening up the first Brief Room session. This one is focused on trailer music. Wednesday, April 15th @ 7pm - 8:30pm LINK TO JOIN - https://us06web.zoom.us/j/89768130743 This is where your ability to read direction, respond to it, and deliver with intent gets tested in real time. We listen together, break it down, and react through one lens: Does it serve the brief, while still making it yours? - GUEST HOST 🎙️ We’re welcoming our first guest host, trailer composer @Brandon Lau whose work includes Scream, Destiny 2, and Arcane, along with campaigns for titles like League of Legends and Call of Duty. He’ll be running the session alongside PTN's @Nate Michalic and @Gilde Flores He will be listening, giving feedback, and breaking down what’s working, what’s not, and how to push it further. This is direct insight from someone actively creating at a high level in this space. 👂🏼 WHAT WE’RE LISTENING FOR StructureHooksExecution within the genre If it hits, we elevate it.If it misses, we fix it. If you’re into trailer music or want to sharpen your approach, this is where you do it. Submit your work. Show up. Be in the room. You don’t know where this leads. ---- 📋 INSTRUCTIONS TO DOWNLOAD + STEP IN Download the attached briefs. Pick your lane and commit. This is where you read direction, respond, and deliver. NO REFERENCES PROVIDED Part of this process is learning how to find your own direction. In the real world, some briefs come with references, and some don’t. This is one of those moments where you get to develop that skill. If you need guidance, take the time to explore what fits. Listen, study, and understand why something works. If you already have a clear instinct, trust it and build from there.

Hey yall! Last day today to get this plugin for $1 On sale from $129- really neat plugin that comes with an awesome preset patch library. I grabbed it cuz, it's $1 right now. WORTH IT https://cymatics.fm/products/ocean-pluck-interactive-pluck-plugin?srsltid=AfmBOoqvknSo2gZATT7UfTDnuzlV8RepHnQ8hd6Uuz5mP5S0L6uQMwSD

Let me share something I wish more creators understood earlier in this "visual media" industry. The moment you decide you are going to take this career seriously, whether that is composing, producing, or creating in any lane, you are already stepping into a long game. There is no version of this where it happens fast. What most people see is the main road. The obvious path. The one tied to upfront money, quick wins, and immediate results. That path is real. You should be on it. But there is another road running alongside it. Less obvious. Slower at first. No big upfront payoff. Just work that builds over time. Same destination. Same goal. A different way of getting there. Early on, I made the decision to take both. I stayed on the main (one) road. But I also took opportunities that did not always pay upfront. I focused on building something, not just earning something. I said yes to work that gave me ownership, gained experience, and volume in the form of a writer’s share. I treated every piece like it mattered, even when it felt small. Why? ...... Because that work does not disappear. It compounds. It stacks. One piece turns into ten.Ten turns into a hundred. A hundred turns into something that starts working for you long after the work is done. For me, that window was 2012 to 2015. During that time, I was still on my main path, building my career as a composer. But alongside that, I was contributing to catalogs every chance I got. Some of it went directly into catalogs.Most of it went through publishers who had direct relationships with working music supervisors. So the pipeline was simple. From my DAW to the publisher to the music supervisor to the editor that placed it directly into picture That was it. No middle confusion. No waiting around. Just consistent output going straight into real opportunities to be placed. That is when everything shifts. You stop chasing every dollar. You start collecting from the work you already did. That is how I built.