This is one of the videos I made on TapNow. My content focuses on the concept of film cuts, with more emphasis on dialogue. Some friends have given feedback on the lighting and color grading. What do you think? What could be tweaked to make it better?

TL;DR: Most AI work gets rendered at the same eye-level medium for every shot. Real cinema rotates between framing modes — POV, Closeup, Low angle, Handheld — and naming them precisely in your Seedance prompt makes the model give you each one. The mode rotation between cuts is where cinema lives. The trap Most AI creators don't specify a shot mode in their prompts at all. So Seedance / Nano Banana / whatever else defaults to an eye-level medium two-shot — the laziest framing in cinema. Cut after cut, all at the same distance, same energy. That's the "feels like AI" problem in one sentence. The fix — 4 modes you paste onto the back of your prompt POV — first-person, the audience IS the camera. "POV shot from inside [subject], camera follows the descent / fall / motion in first-person." Use for: drops, falls, character subjectivity. (I used this for an oil droplet POV in the Grave Robbers transformation scene.) Closeup — tight detail, force attention to one body part. "Tight closeup on [body part / object], rest of frame in shallow focus." Use for: a single beat in a longer scene. The oil meeting skin. The shaking hand. The eye. Low angle — camera below eye level, looking up. "Low angle, camera tilted up toward [subject], subject filling the frame." Use for: power dynamics. The subject feels monumental, the world feels overwhelming. Handheld — camera with the body. Shaky, alive, present. "Handheld camera, heavy shake, the frame jolting and whipping with the action, motion blur." Use for: action, transformation, anything visceral. Repeat the "shake" 3+ times in your prompt — single mentions get under-weighted by Seedance. The rule Cycle the modes between cuts. The change is where cinema lives. If every shot in your scene is the same mode, the audience feels nothing between them. If you rotate POV → Closeup → Low angle → Handheld, each cut has new energy. The story breathes.