Hey all just dropping a quick WIP I’m working on in procreate. Still have further detail to add. But wanted to share. Love utilizing the iPad to make my traditional skills transfer digitally. May post more of these and some pencil works as well. Feel free to follow my IG as well at IG: @seegxd

Recently, @Chris Legaspi, @Gimmel Goffe and I had a really interesting conversation and Drawing vs Painting. I’m in the belief that personally, drawing and linework is much more difficult than painting. Where describing form In line is extremely difficult for me because my brain starts drawing my ideas of what I’m looking at, instead of what’s actually going on. As opposed to painting, I’m forced to see edge and value and describe it as such. So what do you guys think? Is line drawing harder or easier than painting in your experience?

This Friday, I had the chance to visit The Met in NYC with @Tim Dosé , and we spent time exploring the breathtaking John Singer Sargent exhibition. While Sargent’s finished paintings are always a showstopper, what truly moved me this time were his sketches — the raw, intimate studies done in pencil and charcoal that rarely get the spotlight. Some of these sketches struck me immediately — especially those that echoed the figure of Madame X. Though the exhibition doesn’t explicitly connect each one to the final painting, I noticed what seemed to be recurring studies of her across different works. It’s a reminder of how much groundwork Sargent put in before arriving at his iconic compositions. He didn’t just dive into the masterpiece — he explored, iterated, and refined through thumbnail after thumbnail. But here’s the other thing that really inspired me: not all of the sketches were tied to a final painting. Some were simply exercises. Practice figures. Random musings in line and form. And honestly? They were just as powerful. They showed a master staying loose, curious, and committed to the process — even when the goal wasn’t a gallery wall. @Chris Legaspi has always emphasized this: thumbnail, explore, stay connected to the work. Whether you're planning a masterpiece or simply studying for the sake of growth, those reps matter. So I’m sharing some of the sketches I found — both the deliberate studies and the spontaneous ones — because they remind me (and hopefully you too) that every drawing counts. Whether it’s a warm-up, a throwaway, or a deep dive into a final piece — it all builds your eye, your hand, your connection to the work. Let me know what you see in these. What do they make you feel about your own process? Let’s keep drawing. Let’s keep learning. Let’s keep growing.

I wanted to ask whether anyone else out there can spend day after day drawing horrible faces before something you are pleased with finally appears on the paper. I think I've ripped up more pages this week than I have in the last 4 years ( not something I do really) - until at last I managed to draw this one. ❤️ I'm trying to stay positive and be "interested" in how I can be so inconsistent all of a sudden - and am keen to hear how other folk manage to get through a patch like this.

So I thought I would say some things about sanguine and how I made this. I used a conte pencil. I tried others but they usually break very easily. And a paper stump. Canson mi teintes. For bigger work you can use a derwent chunky in sanguine. Sanguine is one of my favorite ways to draw. It smudges easily and can get pretty intense. And as I am writing this facebook banned me again for absolutely nothing. Great.