Welcome to AI Century! We’d love to get to know you a little better. Create a post in this section and tell us: - Who are you? Give us a quick introduction about yourself and what you do. - What do you expect from the community? Tell us what you’re hoping to get out of being here. - What do you hope to learn? Share the AI skills, tools, workflows, or topics you’re most interested in learning more about. Feel free to also share what you're currently working on or creating with AI. Looking forward to learning more about you and seeing what you create! 🚀 ‼️ Please complete your introduction before posting elsewhere in the community. We’re looking forward to getting to know you and helping you grow with AI. 🚀

I just tried turning a normal photo into a PS2-style game screenshot 👀 Now give it a try! Take any photo and see if you can turn it into a PS2 / early 2000s game look. I used Nano Banana Pro, Drop your original + PS2 version below 👇. Show me how the different model does 🤨

Great to have you here! @Ashley Delph @Orlando Ordonez 👋 Feel free to introduce yourself below and tell us: What are you currently using AI to create?

Four subjects folding into each other in origami style, made with MiniMax H3. I used four cities in this one, but it works on anything with stages or transitions. The prompt template is JSON instead of a text paragraph. I tried a few formats but this structure seems to hold up way better with H3, the beats and timings actually stick. The prompt is pinned in the comments. Very excited to see your versions 👇

Prompt ✍️ Shot: A single continuous first-person POV shot from the saddle of an obsidian basilisk charging through a narrow sandstone canyon that opens into blazing desert dunes at sunset, with gloved hands strangling taut reins in the locked lower third, the studded saddle and snapping harness straps visible, the dragon’s ridged scaled neck and head centered forward, wings visible on both sides, and the upper frame crowded with steep canyon walls, carved relief fragments, hanging prayer cloths, and a bright dune-filled exit ahead. Camera movement: Explosive forward motion locked to the saddle with violent shake and lurch from every wingbeat, rolling hard 30 to 45 degrees as the basilisk carves through the canyon bend, then pitching slightly upward during a powerful breakout into the open desert, with intense peripheral motion blur and no pullback. Subject movement: The obsidian basilisk slams through the canyon at maximum speed with aggressive wingbeats, body leaning deep into the turn as it threads the rock corridor, then bursts out into the open and surges upward over the dunes, while reins and harness straps whip wildly in the wind. Environmental movement: Canyon walls streak by inches from the frame edges, sand and pebble debris blast outward from downwash, hawks scatter from cliff ledges, hanging cloth lashes violently, and dust plumes erupt as the dragon explodes into the open desert where the dunes race beneath. Pacing: One unbroken 30 second shot with a short high-speed setup entering the canyon bend, a peak action phase threading the tight turn and near-miss canyon walls, and a powerful exit as the basilisk erupts into open dunes and climbs hard into the sunset. Transition style: No hard cuts and no scene jumps, opening already at speed inside the canyon and ending on a dramatic forward climb into the open desert, with continuous momentum throughout. Atmosphere: Warm sunset amber light slicing into the canyon with high-contrast shadows and glowing dust, soft lens flare, heat shimmer, and speed distortion at the edges, with sound design built around roaring wind, explosive wingbeats, rattling leather and metal, and the thunder of close rock pass-bys, no background music, maintaining photorealistic real-camera-footage texture and natural physics.