We've been rebuilding the entire curriculum from the ground up. Three tracks. Built around who you actually are. 🌱 AI Foundations - for those just starting out. 🎵 Musician Visual Lab - for artists who want visuals that match their music. 🎬 Your First Film - for storytellers ready to make something real. Launching in May. And we're expecting the biggest wave of new members this community has ever seen.😯 A note for everyone already inside. You're in early. That matters. Your current price is locked - forever. No changes, no surprises. On top of that, you'll receive lifetime access to all three tracks when they launch. New pricing kicks in for everyone joining from May onwards. If you've been thinking about inviting someone a musician, a filmmaker, someone who keeps saying "I want to learn this" now is their last chance at the current price. May is going to be different.👏 Rok

We're giving it a proper upgrade behind the scenes. Better structure, better content worth the wait. In the meantime, I'd love for you to join me this Sunday at 18:00 CET for a live call! We'll be going through brand new weekly challenges to help you keep growing. It's going to be a good one 🙌 📅 Sunday | 18:00 CET

I just submitted my experimental AI action film to the Higgsfield contest: 🔗 https://higgsfield.ai/contests/make-your-action-scene/submissions/795b6176-86b5-4951-b67d-4efa3531f74b And yes — I’m submitting two films - one will be out in 14 days! But let me be clear: - This is not about the prize - This is about doing the work - This is about showing up as AI filmmakers - This is about building momentum publicly You’re not here just to consume tools. You’re part of the new wave of AI-powered filmmakers. Now I expect something from you: - Go publish your own action scene. - Don’t overthink it. - Ship it. - Share it. We grow by execution, not by watching. Today I’ll talk more about it live. Go watch my submission and drop yours below. Let’s build pressure in this room.

Why the Camera Moves is now available. This is a core lesson for understanding film language, not tools. Camera movement is not about making shots look cinematic. It is about meaning, intention, power, emotion, and control of the viewer’s attention. In this course you’ll learn: - why the camera moves in the first place - when movement adds meaning (and when it destroys it) - how directors use movement to communicate story, not style - how this logic applies equally to real cameras and AI video models If you want to think like a director — not an operator — this course is essential. Go through it before the next directing challenge. P.S. On Sunday, we’ll work with Kling Motion Control live.

Tomorrow, a new PREMIUM course drops in the Classroom. This module is directly connected to the upcoming Director’s Cut directing challenge. We’re breaking down Kling Motion Control inside Video Model 2.6 — a system built for one job only: accurate motion reconstruction. This is not classic image-to-video.This is not creative animation.This is closer to lightweight motion capture. Kling takes a motion reference video and transfers the movement — body mechanics, timing, gestures, facial expressions, even lip sync — onto a character defined by a single image. The clip can run up to 30 seconds, depending entirely on your motion reference. When Kling says “copy the action, recreate the expression”, they mean it literally. Tomorrow in the Classroom.