This Particular bar is actually a Call-out To T-Pain's album RAPPA TERNT SANGA. This is the most Boombap rap I've ever written and attempted last year. The beat was produced by Isaintjames. One thing I notice about myself with these is my love for Flow Switches and Flow Onsets. Onsets in this case is where I sneak in a particular flow pattern, almost like a little tease. I try to place them in unexpected yet tasteful spots instead of every 4 bars or so. My challenge for you: See if you can spot the ONSETS, they're pretty tricky to catch if all you're focused on is the switches.

This one is a very old one, like... 2022 Lithonia, GA old. But you can truly see my focus is mad intense, because I'm paying attention to the cadence she's creating and trying to match it on the keys. Improvising the rhythm of my playing to match her complexity. It's also my First time doing a slide across the keys with triads on my right hand (around 0:15 Mark). This was tricky, took me several trials until I got this take in one go.

in the meantime, post some funnies for us!!!!

This is officially my first Content Post of 2026. I arranged some harms in Collab with a TikTok friend of mine and fellow singer Jessica Finch on the song Walking In The Air from the movie The Snowman. I first heard this song from Nightwish, and loved it. Her voice is so beautiful on this song, I couldn't resist. On the technique side, this clip is a prime example of the importance of Blending. Not just the voice itself, but making sure the vibrato is lined up as close to perfect as humanly possible where applied. The Octave unison at the start was actually a last minute decision as I was recording the BASS part for this arrangement. Everytime I listen back to it, I get CHILLS!! Lemme know if you feel it too.

Thank you for blessing us w your presence @Gunta Skrastiņa, @Mark Eldridge, @Dovihon Vega, @David R, @Sharon Prahl, @Chanie Twersky, @Pierre Kelly, @James Tot!!! Did I forget anyone? Hope not! What would you title our convo?