Hengaw – Friday, September 18, 2026 Rezvan Asgharzadeh, a 45-year-old woman and mother of six who had been sentenced to death on drug-related charges, has been executed in Dastgerd Prison in Isfahan. Her husband, who was sentenced to death on similar charges, remains imprisoned at the same facility and is at risk of execution. Based on information received by the Hengaw Organization for Human Rights, Asgharzadeh was executed at dawn on Monday, September 14, 2026, in Dastgerd Prison. She was arrested seven years ago on drug-related charges. Around two years ago, Branch 5 of the Isfahan Revolutionary Court, presided over by Judge Hemmat-Nejad, sentenced her to death. The sentence was subsequently upheld by Iran’s Supreme Court. Prior to the execution, Asgharzadeh was transferred from Dowlatabad Prison in Isfahan to Dastgerd Prison on the evening of Sunday, September 13. Her husband has also been sentenced to death on similar charges and is currently held in Dastgerd Prison, where he remains at risk of execution. Iranian state media and judiciary-affiliated outlets have not announced her execution.

When you hear, or read the each of the following: A) Women inhumanity to women. B) Women inhumanity to men. C) Men inhumanity to women. D) Men inhumanity to men. What do you think on each one of the following mentioned above and please reply to what comes to mind on each one. Please share pure honesty here of what you know, and gathered from life itself in all areas. Thanks for your time and patience. Give Thanks.

Armin as an atheist I understand your merch would be based around making memes and fun of all religions such as Christianity Hinduism and of course our favorite peaceful one and I checked out your merch link under your YT channel's bio and as I was scrolling, (before I say this don't turn into a twitter or reddit comment section about antisemitism, I am not an anti-semetic at all, I am merely pointing out something that doesn't seem in line with being an atheist, if you're a snowflake don't read the rest of this.) I realized I don't see anything about Judaism at all. Why is that? I don't care about making fun of religions even if it were mine but why are you leaving one out when you're not religiously Jewish and are against the idea of religions. I'd also say that if you wanted to collect an "Army" for being anti-Islam and for western values then maybe stop clowning on all religions since when I checked out the site it was me and a friend who's a Hindu which through me watching you she had become a fan but after seeing some of the shirts, yeah not attractive to say the least but at least if you do it, do it for all religions. Merch Link teespring.com/stores/atheistrepublic

This video was taken moments before Hadis was shot 6 times in the face, neck, and chest; she would later die at the hospital.

HOSEYN AMANAT WAS THE WUNDERKIND of modern Iranian architecture. He was just out of college, still living in his childhood bedroom in his parents’ home, when he won the most prestigious architectural competition of his generation. His design, completed within the two-month deadline and finished at the end of forty-eight hours of almost incessant work, was chosen for a building that was initially intended to celebrate twenty-five hundred years of monarchy. But the structure, called Shahyad—yad is Persian for memory—not only became the icon of Tehran and Iran but was inexorably transformed into the most recognizable symbol and metaphor of the shah’s era and his vision for Iran. Amanat was twenty-two years old when he won the design competition. As an iconic structure, Shahyad became the subject of some satire and considerable criticism. Inflated stories about its allegedly exorbitant cost and about massive financial malfeasance among those involved in its construction made it one of the favorite subjects of the opposition’s campaign of whispers and gossip. In fact, according to Hoseyn Amanat, the entire structure cost nearly 8 million tooman (a little more than $1 million). The sum seems particularly paltry when we remember that a few years later, when the shah went on what the CIA called his “lending binge,” Iran gave away almost 1.3 billion dollars. But even those who did not subscribe to sundry financial allegations used Shahyad to poke fun at the shah’s regime. In Ebrahim Golestan’s subversive Mysteries of the Ghost Valley, the nouveau riche “man” builds a phallic monument to his own grandeur, and the structure mischievously but unmistakably conjures the image of Shahyad. In fact so enduring has the iconic influence of Shahyad been that even after the revolution, when the building—like every other site bearing a name from the ancien régime—was renamed Azadi, or Freedom, it continued to be identified with the shah and his days. As nostalgia for the past has increased in recent years, a touch of romance and a hint of reification have come to surround Shahyad. Not a week passes that Amanat does not receive some note about his role in the building. Sometimes it is a technical inquiry, other times it is professional praise, often from students of art and architecture. But neither the shah’s desire to build the monument, nor the public’s response to it, are unusual in the larger context of Iranian history.