Yesterday I sat next to a five-year-old working on one thing. One note, one finger, over and over. His job was to keep his 2nd finger curved and let every other finger stay soft and resting on the keys. It didn't come easily. At five, his fingers are still developing, and the joint kept double bending, collapsing inward instead of holding its curve. So we worked on it. Again and again, until his finger found its shape. But watch his hand in the video. The fingers that aren't playing are not hovering or braced. They're just lying on the keys like they live there. And when the key went down, he stopped working. Once a piano key reaches the bottom, the hammer has already struck the string. The sound has already happened. No amount of extra pressing makes the note louder or more beautiful. But we as adults... keep pressing. The note plays, and the finger keeps working. The hand grips. The wrist locks. He struggled with the curve, but he never struggled with the letting go. Nobody has taught him yet that effort is how you prove you're serious. That leftover tension is why your hand aches after ten minutes. It's why you can't play faster. So try this at your piano. One note, one finger. Press, hear the sound, then let the effort drain out while the key stays down. Check the other four fingers. Resting, or secretly standing guard? The sound has already happened. You're allowed to rest now. Tell me in the comments where your tension was hiding. P.S. You will find me talking about this often because unnecessary tension will make you feel discouraged when you are playing the piano.