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The Independent Authors Guild

438 members • Free

53 contributions to The Independent Authors Guild
Understanding AI Watermarks
Some writers are confused about the so-called "watermarks" that companies like Anthropic, OpenAI, and Google are adding to AI-generated text. There are two types of watermarks being used. One is metadata, which is in the file and can be easily stripped out (for example, by copying and pasting text from one file into a new file). The other "watermark" is the authorial voice or style of the generated text, which can be detected based on word choice, so that if you simply copy and paste (or even retype verbatim) the generated text, it can still be detected because the text hasn't changed. Re-writing AI-generated text in your own words and your own authorial voice can destroy this so-called "watermark." Here is Anthropic's explanation: How Claude marks AI-generated content For a technical explanation, read: A Watermark for Large Language Models
0 likes • 13h
@Steve Stuve I'm not so sure, in an LLM, the word choice occurs after the strategy choice, which equates to what we might perceive of as ideas. That is why they can write surprisingly interesting poetry.
2 likes • 13h
@Karen Mayer yes, explicit insertion of codes is limited to images, video and sound where the coded marking is lost in the noise of the overall signal. Text watermarking is different, and you are correct in presuming that it is a signal encoded into the frequency of certain words. But the green words are not a constant list, but chosen as the text is generated with each next word, so there is a list of green words for every word in the text. We definitely write in our own patterns. Dickens is different than Shakespeare who is different than Twain. But they are internally consistent in their writing styles.
What Should an Author Actually Do in the 30 Days Before Publishing?
I have noticed something with authors: we spend so much time writing and polishing the book that when publication day gets close, we suddenly realize there’s a whole other side of the process we haven’t prepared for. The last 30 days shouldn’t be about scrambling. They should be about making sure everything is ready. I like to think about it this way: 30 days out: Get the foundation right. Final editing, proofreading, formatting, cover, title, and subtitle. 21 days out: Look at the book through your reader’s eyes. Does the cover communicate the genre? Does the description make the right reader curious enough to click? 14 days out: Get your marketing ready. Know who you're trying to reach and what you're going to say to them. 7 days out: Prepare your launch content, emails, social posts, review strategy, and everything else you’ll need. Last 48 hours: Check everything one more time metadata, pricing, categories, keywords, links, formatting, and retailer pages. But here's the part I think authors often overlook: Don't make your entire plan about launch day. Your book needs a strategy for the weeks and months after publication too. A successful author career isn't built from one launch. It's built by consistently getting your books in front of the right readers and giving them a reason to come back. Publishing the book is an achievement. Being prepared to help readers discover it is the next one. For those who've already published, what's one thing you wish you'd done differently in the 30 days before your first launch?
1 like • 2d
@Stephen Schneider sometimes there is no single magic bullet. Even in the cases where one exists, there are multiple ingredients besides silver. I'm proceeding with ad testing to see which types of ads in which venues drive sales. Hopefully a modest amount of ad spending will float this launch. A second thrust involves increasing my presence in Goodreads, particularly in some of the larger discussion groups where readers of my genre lurk. That will attract friends on that platform that I can approach for my email list. This is workable, if slow, and I have already attracted a dozen "friends" who read the genres I write. One self-identified already to my ARC list, so that is encouraging. A third angle is increasing the number of reviews via the book review platform sites and by trying to get the attention of influential reviewers who have several hundred followers. The latter is still an enigma to crack, but may work in combination with higher profile on Goodreads discussion groups. The worst of it, however, is that I'm in the classic trap of a small business where my time is the constraint. Every hour spend on raising my marketing profile is an hour not spent writing my next work, or not spent on improving my craft.
0 likes • 14h
@Michael Hicks suggest you also explore the Goodreads giveaway marketing promotion, it should fit your strategy well.
Something I’ve noticed about Goodreads
Last year, my books had only a small number of reviews and ratings on Goodreads, and I didn’t pay much attention to how much that might affect visibility. This year, I started experimenting more with Goodreads promotion, and I’ve noticed quite a difference in how my books are being discovered. I even created a reader account so I could look at Goodreads from a reader’s perspective instead of only looking at it as an author. One thing really stood out to me. When I finished looking at a book, Goodreads seemed to show me other books from authors whose books had a lot of reviews and ratings. That got me thinking about how much reader activity and engagement might influence which books get more visibility on the platform. I’m not saying I’ve figured out exactly how the Goodreads algorithm works, but after watching it for myself, I definitely see a connection between books with a lot of reader activity and the books that seem to get more exposure. It’s been an interesting experiment, and now I’m paying much closer attention to what happens when a book starts building more reviews and ratings.
0 likes • 19h
I don't fully understand their algorithm either, but I have been told by one of their marketing support specialists that the friend network is a huge multiplier. For example, if someone adds a book to their want to read shelf, it automatically appears more often in front of their friends on the assumption that friends tend to like the same things. Growing your own friends list is important since your activity appears more frequently in their notifications, raising your visibility. This frequency is not randomized from a statistical distribution, it is determinstic and at best with uniform or triangular probabilities. On the subject of statistics, it is important to recognize this effect breaks the assumption of normality. Standard statistical tests, other than non-parametric or Bayesean, will be invalid. You are not sampling from normally distributed human behavior, you are fishing for data in a highly structured world in which probabilities can be zero outside of thie scope of the algo. If you think in terms of statistical distributions, think non-continuous distributions.
The Alliance of Independent Authors
Is anyone here a member of the Alliance of Independent Authors, or planning to join, or has anyone considered becoming a member but decided against it?
1 like • 1d
I was considering joining it in about a year once I get my initial books off the launchpad. Primarily to tap into a wider community considering the change that AI will bring to the industry over the coming years. Political and legal advocacy may be necessary to protect indies like us.
Coveburg
Pardon my ignorance, but has anyone heard of the annual writer's conference at Cove Burgh Hall in Scotland? ... It may also be known as the Cove & Kilcreggan Book Festival. Out of the blue, I've been invited to participate.
1 like • 1d
@Deborah McLaughlin I've asked for more detail, including how they found me. The person who contacted me seems to be a literary agent / journalist. It's very out of the blue.
2 likes • 1d
On a more serious note, I'm hoping that some of the UK members on this site might be able to shed more light. I'm just a girl who lives in a deep part of the Canadian forest that isn't currently burning.
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Blaze Martel
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318 points to level up
@blaze-martel-3745
Blaze writes about strong women and the men who affirm them, her latest work, When Silk & Iron Lie, is being launched soon.

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Joined Jun 26, 2026
ENTJ
Canada