I'm 55, I do a lot of dark pieces. I'm also color blind, so there's that.

Hey legends 👋 Glad to join HEFF • creative! I’m here as a creative artist exploring new ideas and trying to improve my work every day. Can’t wait to see everyone’s art and connect with you all. Let’s grow together 🔥🎨

G’day legends! Heff here — truckie, tradie, and part-time artist finally getting the chance to create again after life and work got in the way for a while. This space is for anyone who’s ever felt that same pull to pick up the brush and have a crack at art again. I also run a YouTube channel — Ben Heffernan Art — where I share easy tutorials, time-lapses, and creative tips for beginners and returning artists. Drop a quick intro below 👇✅ Who you are✅ What kind of art or creative stuff fires you up✅ Bonus: Share a pic of your workspace or your latest project! Let’s build a laid-back, inspiring corner where we can all learn, share, and have a laugh along the way.Cheers,— Heff 🎨🔥

Well… that certainly sounds impressive—but unfortunately, it’s not quite true. The idea that creative people use the right side of their brain while logical people use the left is largely a myth. Whether you’re left-handed or right-handed, both sides of your brain are constantly working together when you paint. You’re judging shapes and colours, controlling your brush, solving problems, planning your next move and making creative decisions—all at once. Left-handed artists may still have an interesting advantage, though. Because left-handers spend their lives adapting to a world mostly designed for right-handed people, they may develop greater adaptability, creative problem-solving skills and dexterity. So, do left-handed artists use both sides of their brain? Absolutely—but so do the rest of us! 😁 Had you heard this claim before—and do you think being left-handed could make someone a better artist? 🎨 Are you a left handed artist? Do you use both hands to create? Let me know if you've ever heard this claim before. Cheers Heff.

Remember when you were a kid and you liked to colour in? One of the first things I learnt was to colour around the outer edges first. Once the outline was done, it became much easier to stay inside the lines and fill in the rest of the picture. Painting works much the same way. Whether you're painting flowers, landscapes, portraits or buildings, you're eventually going to come across areas where you need to paint neatly along an outer edge or follow a line. It could be the edge of a flower petal, the side of a tree trunk, the outline of a face or the roof of a house. That's what this lesson is about. Learning how to load your brush correctly and control the paint so it flows smoothly along those edges without fighting you every step of the way. Choosing the Right Brush Your brush plays a huge role in this exercise. For practice, I'd suggest using either a flat brush or a filbert brush about 1 cm wide, with bristles around 1 cm long or slightly longer. You want a brush that can hold enough paint while still maintaining its shape. Brushes that are too short often don't carry enough paint, while brushes that are too soft can be difficult to control. Preparing Your Paint If you're using acrylics, lightly wet your brush first. Dip about one-third to halfway into clean water and allow the moisture to travel up through the bristles for a few seconds. Next, start working the brush into your paint. Rather than plunging straight into the centre of the paint blob, begin at the outer edge and gradually mix the moisture into the paint. You're aiming for a smooth, creamy consistency — almost like a slurry. Be careful not to make it watery or runny. If it's too thin, the paint will flow uncontrollably when applied. For oil painters, the principle is exactly the same. Instead of water, use a small amount of linseed oil or your preferred painting medium to improve the paint's flow and help it glide smoothly from the brush. Practising Your Lines On a spare sheet of paper, draw a few straight lines and curved lines.