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a line I keep coming back to
a line I keep coming back to: "you're not paid for the hour. you're paid for the value you bring to the hour." I don't remember where I first heard it. but it rewired how I price everything, so let me unpack why it matters for you. most creators price like employees. they think in time. "this video takes me three hours, so I should charge for three hours of my time." it feels fair. it's also the exact thinking that keeps you poor. because the brand does not care how long it took. a video that took you thirty minutes and makes them a lot of money is worth more than one that took you eight hours and flops. the time is invisible to them and irrelevant to the value. you're the only one counting the hours. when you price on time, you cap yourself at how fast you can work, which means the better and faster you get, the LESS the market rewards you. that's backwards. that's an employee's ceiling. when you price on value, on what the video is worth to their business, getting faster and better makes you MORE money, not less. now the skill compounds instead of capping you. the whole game is quietly switching, in your own head, from selling hours to selling outcomes. the brand was always buying the outcome. you were just pricing the hours. stop counting your time. start counting their result.
2 likes • Jul 13
woah I love that... "the value you bring to the hour"
steal my exact pitch (copy-paste it)
here's the exact pitch I send. steal it word for word, it's yours. "Hi [name]. I watched your last few ads. they're clean, but they all look like ads, and people scroll past ads. I want to send you one short video that looks like a real customer talking instead. no charge to see it, no obligation. can I shoot one this week?" that's the whole thing. now here's why every line is built the way it is, so you can adapt it instead of copying it blind. line one names a real, specific observation about THEM. it proves in one sentence you're not blasting the same template to 500 brands. you looked. people reply to people who looked. line two is an opinion about why their current stuff isn't working, framed around their money, not your service. you're not asking "do you want to hire a creator." you're pointing at a leak they didn't know they had. line three removes the risk and asks for something tiny. not a contract. not a call. one video, free to look at. the ask is so small that no is almost more effort than yes. what this pitch does NOT have: your life story, your rate card, your list of past brands, "I'd love to work with you." all the stuff beginners cram in that hands the brand a reason to say no. one observation. one opinion. one tiny ask. send it 5 times today.
0 likes • Jul 7
I like the specifics and how brief it is.
100 pitches in 30 days is the system most creators never build
I keep a sheet pinned to my laptop screen that says: "5 pitches today. minimum." every weekday. for 2 years. that's 5 pitches per weekday × ~22 weekdays per month = 110 pitches per month, minimum. I want to make this number boring to you because it's the entire game. most creators send 4 pitches when they feel inspired and then ghost their own pipeline for 2 weeks. then they "get back to it" with 3 pitches the next time they remember. they send maybe 20 pitches in a month and wonder why nothing's hitting. 20 pitches per month with a 5% response rate = 1 conversation. 1 conversation with a 30% close rate = 0.3 deals. so they're statistically working hard for less than 1 deal per month and asking why the math isn't working in their favor. 110 pitches per month at the same 5% response = 5.5 conversations. 5.5 conversations × 30% close rate = 1.65 deals per month from cold pitch alone. and that's before monthly clients add up. the difference between $400/month and $10k/month is almost never skill. it's volume. volume is also boring. it doesn't make a good motivational video. it doesn't trend. you can't "go viral" by pitching. you just have to do it every weekday for 30 months until the math forces it to work. so here's the actual system. (it's boring on purpose.) every weekday, before lunch, send 5 pitches. doesn't matter how you feel. doesn't matter if you're "not in the mood." 5 pitches. period. 10 minutes per pitch × 5 pitches = under an hour of work per day to build a business. that's the floor. that's not optional. and once you've hit it, you can spend the rest of the day on your videos and your strategy. most creators want the result without the boring system that produces it. the deal lives inside the system. inspiration is a bonus. systems are what multiply your results. build the system. then watch what happens at month 6.
1 like • Jun 30
I have to agree... Volume is boring. But it's a necessity when you're new.
the 3-line pitch I still use 2 years later
I sent a pitch yesterday. 3 lines. the brand replied in 41 minutes. the pitch was: "Hi [name]. I noticed your last 3 ads use stock photography and I think your ads aren't making the money they should. I'd love to send you a 30-second sample of what your brand could look like as UGC. no obligation, just want to test. okay if I shoot one this week?" that's it. that's the whole pitch. I've been using a version of this for 2 years. it works on brands who don’t know what ugc is. it works on brands that have a creator team. every single time, this pitch outperforms whatever long, formal, "professional" pitch a new creator sends. here's the breakdown of why. line 1: I noticed something specific. (proves I'm not spamming everyone. proves I've actually looked at their account.) line 2: I have an opinion about WHY it matters financially. (shifts the conversation from "do you want to hire a creator?" to "I can help you fix a money problem you didn't know you had.") line 3: I'm offering to demonstrate for free. (removes the risk. removes the question of "is this person good enough?" because I'm offering to prove it before they pay anything.) that's the entire formula. most creators try to put their entire portfolio in the first email. their list of prices. their list of past brands. their testimonials. it's too much. the brand isn't ready to evaluate any of that yet. they're ready to evaluate ONE thing. am I serious or am I noise? and the 3-line pitch answers that question better than 14 paragraphs about my past work ever could. (the principle is bigger than the pitch. anytime you're trying to start a conversation with someone who doesn't know you, the goal is not to convince them of everything. the goal is to give them ONE specific reason to reply. one. and then earn the next message.) simple. one specific ask. works in UGC. works in any conversation where you're trying to get a stranger to take you seriously. 3 lines.
0 likes • Jun 23
@Shelley Hindman it probably looks very generic. Think of a single hotel pillow. Boring. Generic..
the "good girl" costume I burned before I could charge real money
I had an email open on tuesday. brand had asked for my rate. I'd typed out the number ($1,500). then I added: "I know that might seem high, so happy to discuss if budget is tight!" then I added: "totally understand if it's outside your range :)" then I added a smiley emoji at the end of the sentence above the smiley emoji I'd already used. I sat there looking at this email and I realized I had typed 3 separate apologies for charging the standard rate. before I'd even sent it. before they'd even pushed back. I was shrinking myself ahead of time because somewhere in my body it still felt rude to ask for money. I deleted all of it. sent just the number. closed the laptop. they said yes. that was the day I noticed the costume. every girl I know wears some version of it. mine was the "good girl" costume. polite. accommodating. ahead of time softening every boundary with a smiley emoji. I'd worn it my entire life. it got me good grades. it got me promoted at walmart in 3 months. it was useful when I was 16. it was strangling when I tried to run a business at 20. because the "good girl" costume has one fatal flaw when it comes to making money: the costume is built to make other people comfortable. and other people are not paying you to be comfortable. they're paying you because they need a real solution from a real adult who is going to set the price and deliver the result. every "happy to discuss if budget is tight" was costing me thousands. every smiley face was telling the brand "feel free to negotiate me down, I expected you would." I had to burn the costume. not perform some new aggressive boss girl version of myself. just stop apologizing for existing on the way to my own rate card. the email got shorter. the rates got higher. the brands stopped negotiating. (I still catch myself sometimes. but I notice it now. and I delete the apology before it sends.)
2 likes • Jun 6
@Denise Alton Bergner same!
2 likes • Jun 6
For me it's definitely two things that have me in good girl mode. 1. Fear of rejection... and yes that's probably somewhat normal. You want the brand to say yes. 2.Fear of confrontation. I hate being put into a situation where there might be pushback. My mind guides me too take the path with a smaller chance of a back and forth confrontation, even though it may not be malicious. I needed to hear this!
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Becky Costenbader
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184 points to level up
@becky-costenbader-9553
Whimsical yet strategic UGC brand partner & GenX mom with purple hair. Photographer | Acrylic Painter | Artist | Nano-Creator.

Active 1d ago
Joined Jul 4, 2025
Palmerton
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