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The Board Room

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39 contributions to The Board Room
We are in the End Game now.
This is where we are right now. The end for testing individually is coming to an end very rapidly. Up next, I think you all know.
We are in the End Game now.
1 like • 7d
@Michael Garris man, I'm trying to take care of it all, bro. I know it's not possible, but the ideas just keep coming and I keep figuring them out.
0 likes • 1d
@Lance Reed keep an eye out. Something's going to be happening very soon.
0 likes • 6d
Good question to answer once, publicly. No — MIXSTEIN isn't an agentic harness, and the product doesn't talk to Claude at all. No LLM ships in it. The engine reads your rendered audio, compares it against your reference and my captured decision data, and drives Ableton directly through the remote-script API. Deterministic — same mix, same reference, same answer every time. The Claude you've seen in my videos is my workbench, not the product. I use AI heavily to build MIXSTEIN. MIXSTEIN doesn't need AI to run. That's why it works offline, costs nothing per use, and your records never leave your machine. That's as deep as I'm going on internals before it ships — founders get the real look first. I appreciate people probing. I understand you're not the first. The curiosity is warranted, I get it, but I won't be giving away any specifics as far as like how I build.
It's almost time. And no, not everybody's getting it.
For months you've watched me build MIXSTEIN in front of you — an AI that doesn't just talk about your mix, it opens Ableton and makes the moves. Real devices. Real settings. On your session, not in some cloud demo. Last week I watched it read a record against a J Dilla instrumental, tell me exactly where the mids were lying, and prescribe the moves — and when it had nothing worth fixing, it said nothing. That's the part that took the longest to build: a tool with restraint. Tools that make moves are everywhere. Tools that know when NOT to are not. Here's where it stands: MIXSTEIN is going out very, very soon — but not wide. First it goes into the hands of a small group of creators while I'm personally on the line with each of them. They stress it, break it, shape it. Then it expands from there. Then the real thing arrives for everybody else — and by then it'll have been battle-tested by people who actually mix. If you've been waiting for the moment to pay attention, this is it. Question for the room: if MIXSTEIN could take ONE thing off your plate the first time you open it — what would you pick? Answers here genuinely shape what the first group gets.
1 like • 7d
This is rich. I love this answer. That's so honest and transparent. Thank you for sharing.
0 likes • 6d
@Dan Morgan Dan — you just wrote the product spec, brother. That's literally the design. You keep the beat, the character, everything that makes it yours. Then you hand it a reference and talk to it in feel language — "low end with this weight, highs with this haze" — and it translates that into actual moves, tells you why, and you stay the author. That translation layer — feel words into decisions — is the exact thing I've spent months capturing. My whole vocabulary is under the hood: what "weight," "haze," "air" actually mean in moves. The way you described it tells me you're gonna be dangerous with it.
Work in progress...
I've been working on my album for about a year now, and finally I'm starting to get the mixes to where I need them to be. I'm doing the production, and engineering and the mixing all by myself with the addition of a buddy coming into play guitar or keys here and there lol... Like I said, I'm still mixing the project but I'd like yall to let me know what you think of the music...
1 like • 15d
Bro, first of all, I love the room sound that you're using for this record. It's real open and big, and I love that one. It's one of my favorite types of room sounds. Secondly, man, I love the message. I can see this in some really good motion picture movies.
1 like • 15d
@Muse Theartist I couldn't agree with you more, man. That had my chrome asthesia going crazy, and the colors that came from that song were brilliant, very royal and big, like
I see you
Logic gang, Reason gang, Studio One gang, I see every one of your comments. You thought I forgot about you. This is what this week looked like. That's all I'm gonna say for now.
I see you
0 likes • Jul 7
@Alex Lacy yessir
0 likes • 16d
@Clifford Davis I'm not fam for sure
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@touchtone-dsg-6249
20+ yr producer/engineer. SPL co-sign. Viral anime remixes. I teach what actually makes records hit. Come build with us.

Active 1d ago
Joined Apr 15, 2026
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