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A community for those who feel different, question everything, and are searching for a life that finally feels true.

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82 contributions to Writing
Feeling hemmed in by contradictory feedback
I am following the craft recommendations to start in the middle of the action for my fantasy novel and avoid backstory and info dumping. And now I keep getting reader feedback saying they don't understand who the characters are, what their magical powers are, how they work, despite extensive description about what's happening. I read a bunch of craft articles about this and one cracked me up, saying we need to inform the reader sneakily about the nature of the world we're building because they don't want to be educated but they also don't want to be confused. I'm feeling a bit fed up with writing for the reader. I've never been a person suited for mass consumption, and am beginning to wonder if I could write a book that would be.
1 like • Mar 9
I think, in the case of your novel, which is complex...Dune like in a way, you do need to give detail as you go. The Priory of The Orange Tree does this quite well. I would read other complex world books and see how the authors have done it, and then also make sure your beta readers are interested in complex world novels
"Free Spirit"
Can you relate to this feeling? 🤔
"Free Spirit"
1 like • Feb 27
Oh yes! Love this. ❤️🪽
Clarity, Structure, and Moving a Manuscript Forward
Many writers assume that feeling stuck means something is wrong with the story. In long-form projects, I’ve found it often means the manuscript is asking a different question than it was at the start. As eBooks and novels develop, themes sharpen, characters shift, and what once felt clear can begin to feel uncertain. In my work supporting long-form writing, progress at this stage usually comes from realigning the draft with what the story has become, not forcing it to match the original plan. I’m curious how others here approach this moment. When a manuscript starts evolving beyond the initial outline, what helps you regain clarity and direction?
0 likes • Feb 27
Yep, I do that. As someone who hates to feel limited by structural plot setting it's the only way that works for me.
From Draft to Polish
Writing may look simple from the outside, but it is layered. Drafting, revising, tightening, and strengthening your voice is a craft that keeps evolving. The more I write and edit, the more I see that growth happens during revision. That is where good writing becomes strong writing. Which stage of writing challenges you the most drafting or revising and why?
0 likes • Feb 27
Drafting is boring for me. I tend to go with the flow, let the story reveal, then when I get stuck I reread, edit, note down character progression, plot that has emerged...and then plot the rest from there. Otherwise I lose my inspiration.
When Rewriting Stops Working
I’ve seen writers rewrite the same book three or four times and still feel stuck. At some point, rewriting stops helping. That’s usually the moment when the problem isn’t the writing itself, but the direction of the story. You can polish sentences forever and still miss the core issue. Sometimes clarity beats craft. Has rewriting ever made you feel more confused instead of clearer?
0 likes • Feb 27
@Gabriel Xantalos exactly what I do.
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Kirsten Ivatts
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@kirsten-ivatts-2431
Creative writing of all shapes and sizes, plus blogging on multi dimensional things. I have a Skool called Voice & Vision helping people find both!

Active 3d ago
Joined Jan 6, 2026