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22 contributions to guitarwavers
A couple of questions about (re)posting and strings
Hey guys. Hope creativity is flowing all around the community. I have a couple of questions... 1) Do you ever repost a reel or TikTok-video perhaps with a different caption if you feel like it was ment to get more likes and interaction? If so do you delete the old one or just post it again? 2) What time of day do you post videos to get most views. I usually post around 20 pm (Danish time), but think maybe it should be earlier? 3) Does anyone use flatwounds on their guitars? I have a friend here in Copenhagen with flat wounds on his guitar and all the squeaks from the strings are completely gone which does seem pretty nice. Lastly I just want to say specifically to @Sebastian Jautschus that his track 'tomorrow' is such a pleasure to listen to. So many interesting ping pong delays, panning, tremolo panning ?, normal delays, noises and so on. Would love to see a breakdown of that sometime.
1 like • 20d
@Peter Monrad I tried flatwounds on my Telecaster time ago and for me there were pros and cons. I loved the mellow sound and the fact that they are way less noisy, but I felt they were a bit less "dynamical" if it makes any sense. so after a while I came back to my regular strings, but... I have to try flatwounds again :)
welcome buddy! introduce yourself + share a pic of your guitar 🎸🦦
let's get to know each other. comment below, sharing a photo of your (current fav) guitar, how you got into making instrumental guitar music, and maybe what you do besides making music. I'm happy to have you here 🫶🏼 PS: oh also please feel free to link your music! PPS: there's also an app of Skool btw. which makes keeping up with what's happening in here a little easier.
2 likes • Sep 17
welcome @Kayla Beggs! I play a Jazzmaster too (and a Telecaster) thru Princeton, like you do (as I just saw on your IG), haha
2 likes • 20d
@Kayla Beggs thank you very much, I really appreciated it! I enjoyed your music too on Spotify and I think it is good we don't pay too much attention to IG but we listen to our music mutually onSpotify 😁I saw you will release a new album in October, so make a post here when the album will be out: I will be glad to listen to it! (and to... become human again, despite the algo 😉) Like I said to @Jon-Erik Gretland today, this community is a great chance to discover new (human) instrumental artists and I honestly love it
sign of life 🫶🏼
hello my friends, I hope you're doing great! I'm thinking of you. if you have time, let's hang out tomorrow at 2pm Berlin time. and a bit of context under which rock I'm buried right now 🦦
sign of life 🫶🏼
4 likes • Mar 20
ciao, @Sebastian Jautschus! congrats for all the things you are doing: you are a multitasker! I am very, very curious to watch the podcast(s) with @Brian Hennessey when they will be ready: thanks a lot for all the stuff you are doing for this community. and also for your new song "through the branches". I had the chance to listen to it just today and I am particularly intrigued about the sections in which you experiment with that groovy riffs and beats. 🤍
0 likes • Sep 17
@Sebastian Jautschus sure! I am interested in your post-production and the sound you are developing release after release. and very curious to watch to the next episode with @Brian Hennessey too.
Spotify song pitch
Hi y’all :) hope everyone is feeling sexy and creative. Lovely stuff from everyone recently.. Question: do you guys do Spotify pitching? How the hell do you tag your electric guitar tunes? Which genre ,mood , blood type, galaxy and whatever it is Spotify wants? Cheers
1 like • Sep 9
My tags are pretty similar to the ones @Sebastian Jautschus mentioned. I basically try to keep my pitching as simple and concise as possible, in the hope (perhaps misplaced, haha) that I can just let the music speak for itself.
September 2026 releases
It has been a while since we had a proper release round-up here, so let me pick the series back up with September. Starting with "Marshmallow Moon" by @Hvetter Hvetter. A beautifully played, melancholic track that grabbed me right away. https://open.spotify.com/track/0r5CLnJrHSPROhnHAbk4K8?si=17efd8a03fef4405 And I am proud to say that today I released "CRuSH" together with the great @Sebastian Henkelmann. https://open.spotify.com/track/3zM4rL71yDQNGbKyxO1o1v?si=dd6a558fc1424878 Since collaborations are always an interesting experience, I wanted to share a bit of how it came together: The core of the track is a four-chord loop that Sebastian sent me back in June. The very first version he sent was already perfect. The chord progression got me immediately, and so did that effortless groove of his. What I found harder was bringing variation into a static progression. My own songs usually follow a fairly classic scheme with verse, chorus and sometimes a middle eight. Being limited to four chords was a challenge, but it was also a good lesson, because all the variation had to come from melody, dynamics and layering instead. Sebastian then added some wonderful counter melodies, and after three rounds we were done. Props for the cover go to Sebastian as well. Feel free to add to the list if you put something out too 🎸
3 likes • Sep 9
I really enjoyed @Hvetter Hvetter’s latest release, and also the previous one, The River Knows, which is probably my favorite track of his so far. I really like the track by @Martin Eibisch and @Sebastian Henkelmann as well, and thanks, Martin, for sharing some of the backstage details about how it came together — really interesting to read! And among the September releases, I’d also recommend Homebound by FSQ / @Brian Hennessey .
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Jacopo Ramonda
4
29 points to level up
@jacopo-ramonda-1232
Just me and the Telecaster I built. My instrumental soundtrack for a movie that doesn’t exist. Made in Italy.

Active 11d ago
Joined Jan 18, 2026
Italy