Because most people only know about one or two of these and they are leaving real income on the table every single time they release a track. Here is the full list. Streaming Royalties: Every time your song plays on Spotify, Apple Music, Tidal, or any other platform — you get paid. Small per stream but it compounds. The more songs you have out the more streams you collect every single day without doing anything extra. YouTube Ad Revenue: Upload your music to YouTube and once you hit 1000 subscribers and 4000 watch hours you qualify for the YouTube Partner Program. Your videos generate ad revenue every time someone watches. Ambient music channels, lyric video channels, and study music channels make serious passive income this way. YouTube Content ID: Even before you qualify for the Partner Program you can claim your music through Content ID. When anyone else uses your track in their video — YouTube pays you a cut of the ad revenue from their content. Your music works for you even when you are not posting. Facebook Reels Bonus: Facebook pays creators more for Reels than almost any other platform right now. If you are using your original Suno music as the audio on your Reels you are earning on the content AND collecting royalties on the music. Two income streams from one post. BMI and MLC Registration: This is where most people leave the most money. Every time your song plays publicly — on radio, in a business, on a streaming platform — you are owed performance and mechanical royalties. Register your music with BMI or ASCAP and register your recordings with the MLC. Set it up once and collect forever. Beat and Instrumental Sales: If you produce beats or instrumentals you can sell them on BeatStars, Airbit, or your own store. License them non-exclusively and the same beat can sell hundreds of times. AI tools let you produce more beats faster than any traditional workflow. Merch: Your music builds a brand. Your brand can sell products. Print-on-demand platforms like Printful and Printify mean you never touch inventory. Design it with AI. Sell it forever.

Facebook pays more for Reels. That is not a secret. But here is the part most people are sleeping on. If you are using music you created in Suno on your Reels content — that music needs to be logged with BMI, MLC, and any other PRO or royalty collection organization you are registered with. Because if your content goes viral on Facebook and your music is playing underneath it — you should be collecting on BOTH ends. The Reel performance bonus AND the music royalties. That is two income streams from one piece of content. Most creators are leaving one of them completely on the table because they never registered the music. Do not be that person. The move is simple: ✅ Create your track in Suno ✅ Add it to your Reel as the background audio ✅ Log it with BMI, MLC, and wherever else you are registered ✅ Collect your performance royalties when it gets played ✅ Stack your Reels bonus on top of that If it goes viral that is just extra. But even without going viral — consistent plays add up. Royalties compound. And you deserve every dollar your music earns.

So when you are trying to perfect your craft......

Here's the link for the prompts as promised: https://claude.ai/public/artifacts/2c6042c1-18f4-427b-a74c-541c930cdb6c *Please let me know if you have any questions! Check out OPUS CLIP: ----> https://www.opus.pro/?via=12thnluxedigital

Tell me what you think? *I logged my soundtrack into BMI, MLC, and SoundExchange