Coming soon by popular request

Mister Owens

25d • General discussion

Prompting guides...

coming soon on MoneMotion.com

We listen to every bit of feedback. This one is top priority.

We'll make a simple version, and an advanced version.

Prompting can get *really* technical.

For example, below is the prompt being used behind the scenes on the new B-roll page for ChatGPT image + Seedance 2.0.

Don't worry y'all... this will not be on the test. 🤓😁

{

"prompt": "[CINEMATIC BULLET-TIME BOLT-ACTION B-ROLL — FAST-PACED FASHION FILM]\n\n[CORE DIRECTIVE — REFERENCE FRAME FIDELITY]\nThe input reference frames are sacred and immutable. Every frame of this video is a direct extension of the reference image — not a reinterpretation, not a recreation, not an approximation. The subject's pose, props, background environment, spatial positioning, outfit, accessories, expression, and lighting must be preserved exactly as they appear in each reference frame. Nothing is altered. Nothing is idealized. The camera moves — the subject and scene do not change from what the reference shows.\n\n[BULLET TIME PRINCIPLE — PRIMARY CAMERA METHODOLOGY]\nThe full video operates on a bullet-time framework fused with bolt-action camera movement. The subject holds frozen or near-frozen poses while the camera orbits, slides, crashes, and locks around them at speed — creating the illusion that time itself has stalled while the lens hunts freely. Every bolt-action cut is a bullet-time moment: the world pauses, the camera fires. When the subject does move, it is a sharp, deliberate editorial burst — then stillness returns and the bullet-time orbit resumes. Camera velocity is always high; subject motion is always controlled and sparse.\n\n[CAMERA ENTRY — OPENING SHOT]\nCold open: bolt-action camera slide from top-left frame edge — sharp, fast, decisive. Camera whips in from upper-left with momentum, snapping to lock on the subject mid-pose — exactly as held in the reference frame. No slow reveal. Hit the ground running. Every shot enters with intent.\n\n[CAMERA LANGUAGE — THROUGHOUT]\nBolt-action b-roll methodology fused with bullet-time orbiting — each cut is a snap decision, each angle a deliberate strike around a frozen subject. Fast lateral slide from top-left to center. Hard rack focus pulls. Whip-pan transitions between detail shots (face → jacket → heels → bag). Crash zooms into texture close-ups. Dutch tilt on confidence beats. Camera never settles — it hunts, locks, and fires while the subject holds the frame.\n\nMovement grammar:\n- Top-left slide → hard lock on subject (reference pose held exactly)\n- Bullet-time orbit around frozen subject — 180° arc, camera low to high\n- Whip cut to extreme close-up (eyes, lips, sunglasses reflection)\n- Bolt-cut to jacket texture mid-motion\n- Snap to low-angle heel strike\n- Crash zoom on bag drop\n- Bullet-time freeze — camera circles the locked pose\n- Return wide — bolt-slide back to full-body master\n\n[STRICT REFERENCE LOCK — NON-NEGOTIABLE]\nThe subject must match the uploaded reference image exactly — face, body proportions, hairstyle, hair color, skin tone, outfit design (black quilted puffer jacket, rust/cognac leather trousers, black pointed kitten heels, black leather crossbody bag with chain, dark leather cap, round dark sunglasses, red lip). No reinterpretation, beautification, or identity alteration. Every frame is the reference image brought directly to motion. Pose, props, background, and spatial context from the reference are locked — only the camera moves.\n\n[PROJECT TYPE]\nCinematic fast-paced bullet-time fashion b-roll performance video — bolt-action editorial style\n\n[CHARACTER]\nSingle female subject — exact reference match\nConfident, sharp, editorial energy\nHeld in bullet-time stillness between movement bursts — motion hits like punctuation\nPose integrity from reference maintained across all angles and orbits\n\n[WARDROBE]\nExact reference outfit — no substitutions, no alterations:\nBlack quilted puffer jacket with crossbody black leather bag (buckle detail, chain accent) — rust/cognac leather high-waist trousers — black pointed kitten-heel pumps — dark leather baseball cap — round black-tinted sunglasses — bold red lip\nFabric reacts naturally to fast movement and camera snap; textures are preserved as seen in reference\n\n[ENVIRONMENT]\nExact background and spatial context from the reference image — preserved as-is\nNo crowd additions, no vehicles, no extra performers\nCamera moves through the space; the space does not change\nEnvironment serves the subject — never competes, never deviates from reference\n\n[LIGHTING]\nReference lighting preserved and extended cinematically\nCinematic soft daylight or golden hour — matched to reference\nSharp specular hits on leather surfaces\nClean skin rendering — no overexposure\nLighting snaps with the camera — fast setups, real-world feel\n\n[CAMERA SPECIFICATIONS]\n- Opening: bolt-action top-left slide snap to subject lock on reference pose\n- Bullet-time orbits: 90°–180° arcs around frozen subject — smooth, high-speed, controlled\n- B-roll cutting rhythm: fast — 0.5s to 1.5s per shot\n- Mix: extreme close-ups / mid-shots / full-body wide / bullet-time orbit sweeps\n- Movement: whip-pan, crash zoom, hard lateral slide, low-angle stalk shots, bullet-time circular tracks\n- Never static — always in controlled motion between locks\n- Subtle handheld tension on close-ups for tactile realism\n- Bullet-time freeze frames: camera completes full arc while subject holds pose from reference exactly\n\n[MOVEMENT / PERFORMANCE]\nSubject moves in sharp, deliberate editorial bursts — arms cross, weight shifts, chin lifts, coat adjustment, glasses touch, bag swing — all matching reference poses exactly\nBetween hits: full bullet-time stillness — camera orbits the frozen pose\nMotion is editorial, not dance — fashion film energy\nEvery movement resolves back to a reference-faithful locked pose\n\n[TIMING]\nBeat-synced to music — camera snaps and bullet-time orbit launches land on kick drums\nPose locks hit on snare\nDetail shots and orbit arcs fill the 16th-note gaps\n\n[MUSIC]\nCinematic high-fashion instrumental — dark pop / editorial electronic\nPunchy low-end, sharp transients\nEvery camera bolt and bullet-time orbit entry syncs to a beat hit\n\n[VISUAL STYLE]\nPhotorealistic — high-end fashion film grade\nContrast-rich, slightly desaturated editorial palette\nDeep blacks on jacket — warm cognac leather pops\nLens: anamorphic preferred, slight edge flare on bolt-slides and orbit sweeps\nClean motion — zero jitter, zero artifact\nBullet-time sequences rendered with full motion-blur integrity — no ghosting, no stutter\n\n[OUTPUT]\n4K / 24FPS\nHigh-detail motion clarity\nSeamless b-roll sequence — feels like a premium fashion campaign cut\nTransition sound effects and ASMR-style audio — fabric swoosh, heel strike, chain clink, lens rack\n\n[ABSOLUTE RESTRICTIONS]\nNo identity deviation from reference\nNo outfit alteration\nNo pose deviation from reference frames\nNo background alteration — props, environment, and spatial layout preserved exactly\nNo crowd or background figures added\nNo slow, passive camera movement — bullet-time applies to subject, not camera\nNo continuity breaks\nNo reinterpretation of any element visible in the reference image\nEvery bolt-cut lands clean — every frame is the reference, in bullet-time, on fire",

"duration": 15,

"generate_audio": false,

"reference_images": [

]

}

0:15

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Coming soon by popular request